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AMAZING SPIDER-MAN (1963-98; 2003-13) #268
CBCS NM/M: 9.8
(Stock Image)
SOLD ON:  Tuesday, 03/20/2018 1:18 PM
$46
Sold For
5
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This auction has ended.
PUBLISHER: Marvel
COMMENTS: white pgs
Byrne black costume cover (forms single image w/Web of Spider-Man #6)
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DESCRIPTION
white pgs
Byrne black costume cover (forms single image w/Web of Spider-Man #6)
"This Gold is Mine!" Secret Wars II crossover. Part 2 of 2. Script by Tom DeFalco. Pencils by Ron Frenz. Inks by Joe Rubinstein. Cover by John Byrne. Story continues from Web of Spider-Man 6. In incredible fashion the Beyonder turned Power Man and Iron Fist's office building into gold! Everyone will be rich! But hold on...the world's financial markets will collapse with tons of gold dumped into the global economy! So it's the federal government to the rescue! Under the wall-crawler's watchful eye, the military transports the gold to the west side docks and loads it on cargo ships bound for the Great Puerto Rican trench! However the Kingpin of Crime wants his cut of the gold! So the Arranger and his henchmen hijack one of the ships! Will Spider-Man make the big city pirates walk the plank? Cameo appearances by J. Jonah Jameson, Ned Leeds, Joe Robertson, and Firelord. (Notes: The cover of this issue can be paired with the cover of Web of Spider-Man 6 to form a complete image of the office building turned into gold. Avengers 258 offers a preview of the web-slinger's upcoming battle vs. Firelord.


Artists Information

John Byrne is one of the most storied creators in the history of comics. Beginning his career at Charlton he quickly moved over to Marvel Comics where he established himself early on as a workhorse and fan favorite, he would draw early appearances of Iron Fist before landing the gig working with Chris Claremont on X-Men. Claremont and Byrne would create several of the most memorable storylines in the history of the X-Men, their Dark Phoenix Saga and Days of Future Past stories have been adapted into three feature films. Byrne would convince Claremont to not kill Wolverine, proving to be one of the most lucrative decisions in Marvel's history, he would also introduce Kitty Pryde and Alpha Flight during this time. After his work on X-Men, Byrne would have a short run on The Avengers before launching his second classic comic run, this time on Marvel's first family The Fantastic Four, writing and drawing the title for five years. Byrne would leave Marvel for DC in the mid 1980s where he was tasked with revamping their flagship Superman titles, he would draw two Superman titles a month while writing a third. After two years at DC, Byrne returned to Marvel where he would create memorable stints on She-Hulk, Namor The Sub-Mariner, and Iron Man. In the 90's Byrne would work on several creator owner titles at Dark Horse, including his Next Men (which would introduce Mike Mignola's Hellboy), Babe and Danger Unlimited. In the years that followed Byrne would create many more books, often working on titles that inspired him as a boy including a revamp of Jack Kirby's Fourth World and DC's Doom Patrol and The Demon.

Josef "Joe" Rubinstein is a comic book artist and inker, most associated with inking Marvel Comics' The Official Handbook of the Marvel Universe and the 1982 four-issue Wolverine miniseries by Chris Claremont and Frank Miller. He is also known to be the one to have given artist Art Adams his first professional work.


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