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DC
CGC NM+: 9.6
ow/white pgs
origin & 1st app. of the Teen Titans (Robin, Kid Flash, Aqualad); TV series in production!
Don/Maggie Thompson Collection
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DC
CGC VF+: 8.5
off white pgs
Kane, Infantino art
Don/Maggie Thompson Collection
Secret of Green Lantern's mask revealed
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Marvel
CGC VF-: 7.5
ow/white pgs
Kirby cvr; Ditko, Davis art
Don/Maggie Thompson Collection
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EC
CGC VF-: 7.5
ow/white pgs
Wood art; dinosaur cvr
Don/Maggie Thompson Collection
Ray Bradbury adaptation and letter
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EC
CGC VF: 8.0
ow/white pgs
Al Feldstein cvr; Wally Wood, Al Williamson art
Don/Maggie Thompson Collection
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EC
CGC FN: 6.0
ow/white pgs
classic Frazetta cover; atomic explosion panels; last pre-code issue
Don/Maggie Thompson Collection
If you were asked to name the single most influential and best-known cover artist in the history of comics, your mind would likely go straight to Frank Frazetta. His muscular, dynamic style and astounding ability to create and define fantasy worlds and settings have influenced three generations of comic and fantasy artists. The look of science fiction and fantasy art as we know it today derives straight from the works of this extraordinary artist, who conquered not only the world of painting, but pencil and pen as well. This is inarguably his best-known comic book cover, an astonishing image initially drafted for his run of Famous Funnies Buck Rogers covers, but rejected by the family-friendly publisher as being too violent. Never one to shy away from pushing the envelope, EC's William Gaines snagged the cover for his Weird Science-Fantasy title, with Frazetta expertly reworking the image to remove any telltale signs that the central figure was once a rival company's hero. A virtually flawless example of how to use composition to create motion and action, some artists have created entire careers out of the lessons taught by this one incredible work, undoubtedly the ultimate sci-fi comic cover. Fittingly, this classic image acted as the swan song for the title, and in a way for EC's whole line, as within months, Gaines collapsed his entire company, under pressure from government meddling and industry panic, eventually publishing only Mad and a handful of magazine titles. Frazetta collectors and EC fan-addicts revere this cover, and rightly so. One of the few true masterpieces of comics history, this transcends genre and subject, and is an American icon.
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Marvel
CGC FN+: 6.5
ow/white pgs
Kirby cvr/art; 1st app. The Vanisher (11/63)
Don/Maggie Thompson Collection
Still trying to find the feel and style of the series, in this issue, Lee and Kirby introduce a traditional villain, The Vanisher, meant to plague our teenaged heroes by teleporting and transporting himself with his mutant powers, eventually developing a scheme whereby he holds national secrets hostage, demanding millions of dollars from the US government in an exciting standoff on the lawn of the White House. The use of the mutant hero/villain motif eventually became the backbone of much of the Marvel line, but this charming and telling early issue shows the foundations still being laid for hero greatness to come.
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Marvel
CGC NM: 9.4
white pgs
Kirby cvr/art; origin retold
Don/Maggie Thompson Collection
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Marvel
CGC VF/NM: 9.0
CGC #1198509003, White pages
Kirby cover; 1st app. of the Black Widow (Natasha Romanoff) (4/64)
Don/Maggie Thompson Collection
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