(Stock Image)
SOLD ON: Saturday, 05/27/2023 12:02 PM
PUBLISHER: Marvel
COMMENTS: Perez/Austin cover; COMIC BOOK IMPACT rating of 5 (CBI)
Read Description ▼
Perez/Austin cover; COMIC BOOK IMPACT rating of 5 (CBI)
Artists Information
Terry Kevin Austin is an American comic book artist who is best known for his exceptional inking talents. Austin’s inking — especially in the period of the 1970s and early 1980s — is notable for its smooth, precise rendering; and extremely detailed backgrounds, making his embellishing work easily identifiable. His style has been highly influential on a subsequent generation of inkers including Al Gordon, Andy Lanning, Scott Williams and Rob Liefeld.
Austin grew up in Detroit, Michigan and attended Wayne State University. He started inking comics as an assistant to Dick Giordano and Neal Adams, doing “Crusty Bunker” work for Adams’ Continuity Associates. Austin came to prominence in 1976–1977, inking Marshall Rogers’ pencils on a celebrated run of Batman stories for DC Comics’ Detective Comics collaborating with writer Steve Englehart. During this same period, Austin inked Michael Netzer (Nasser) on DC’s Martian Manhunter in Adventure Comics and Green Arrow/Black Canary in World’s Finest Comics, as well as Al Milgrom on Marvel Comics’ Captain Marvel. He later teamed with Rogers again on Marvel’s Doctor Strange.
X-Men
In 1977, Austin and penciler John Byrne became the new art team on Uncanny X-Men. With writer Chris Claremont they produced a series of stories — particularly “The Dark Phoenix Saga” — which elevated the title into the top-selling American comic book.
Post X-Men
Austin left Uncanny X-Men in 1981 and has since worked on a variety of titles for both Marvel & DC, including Doctor Strange (over Paul Smith and Dan Green pencils), Superman vol. 2 (over Byrne), Justice League (over Kevin Maguire) and Green Lantern (over Darryl Banks). Austin contributed to several anniversary issues for DC including Justice League of America #200 (March 1982), Superman #400 (Oct. 1984) and Batman #400 (Oct. 1986). He was the regular inker of DC’s Superman Adventures for nearly six years, from 1996–2002. His inking work since 2002 has included over fifteen years of inking the Sonic the Hedgehog comic book series for Archie Comics, which he continued until the series cancellation in 2017.
George Pérez was an American comic book artist and writer whose titles include The Avengers, Teen Titans, and Wonder Woman. Notable works include: Deadly Hands of Kung-Fu, Creatures on the Loose, Action Comics and Crisis on Infinite Earths. Perez would achieve his first taste of success during a memorable run on Marvel's The Avengers in the 1970's, developing a style that would define him for his decades long career. In the 1980's Perez would go over to DC where he would launch the hugely successful New Teen Titans with writer Marv Wolfman, the title was so popular it would crossover with Marvel's X-Men. When DC needed an artist for it's company re-defining event series Crisis on Infinite Earth's Perez was the obvious choice, with his ability to effortlessly draw dozens of different characters at once. Perez would also have his hand in a successful reboot of Wonder Woman in the late 1980's. In the early 90's he would work with Jim Starlin on his Thanos saga, drawing the bulk of the Infinity Gauntlet mini-series. That was followed by a triumphant return to The Avengers and a JLA/Avengers crossover. Perez would draw hundreds more comics featuring nearly every Marvel and DC character before health issues forced his retirement in 2018.
Mike Vosburg is an American comic book artist primarily known for his work on the Tales from the Crypt TV series. Mike Vosburg’s comics career began in the 1960’s, when as a teenager he started Masquerader, one of the first comic book fanzines. He began working in underground comics in the 1970’s, with creations such as Split Screen, written by Tom Veitch. Later in the 1970’s & 1980’s, Vosburg contributed to horror titles by Western Publishing and Charlton Comics. His story “Mail Order Brides” published in Kitchen Sink Press’s Bizarre Sex #3, was in a similar horror/mystery vein.
Around this time, Vosburg also did various work for DC Comics and Marvel Comics. He is probably best known for his work from that period on Savage She-Hulk, Sisterhood of Steel, and G.I. Joe: A Real American Hero. He also worked on the Valiant Comics’ titles Bloodshot and Archer & Armstrong.
From 1989 to 1996, for the TV series Tales from the Crypt, Vosburg illustrated comic book covers designed to look like the original 1950’s comics. Originally hired to do concept drawings for the wraparound sequence, Vosburg ended up storyboarding the title segment as well as illustrating many book covers used in the show’s 93 episodes.
While Vosburg still does occasional comics work such as covers and pinups, or his self-published Lori Lovecraft books, most of his time is currently devoted to television and film. He has done storyboarding work for such directors as John Frankenheimer, Robert Zemeckis, Allan Arkush, and Gilbert Adler; on projects as diverse as David Mamet’s The Water Engine, the Elian Gonzalez Story, Prince Charming, and Demon Knight. He has also done storyboarding for music videos, such as “Stan” and “Let Me Blow Ya Mind.”