NATIONAL COMICS #8
CGC FA/GD: 1.5
(Stock Image)
SOLD ON: Thursday, 03/31/2016 12:48 PM
$133
Sold For
5
Bids
PUBLISHER: Quality
COMMENTS: lt tan/ow pgs; cvr dtchd and completely split
Lou Fine Uncle Sam cover
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Lou Fine Uncle Sam cover
DESCRIPTION
lt tan/ow pgs; cvr dtchd and completely split
Lou Fine Uncle Sam cover
Artists Information
Louis Kenneth Fine was born in New York. He studied at the Grand Central Art School and Pratt Institute. He was partially crippled by childhood polio and longed to be an illustrator. Among his major influences were Dean Cornwell, J.C. Leyendecker, and Heinrich Kley. Fine joined the Eisner-Iger comic shop in 1938 and soon was drawing for the Fiction House and Fox lines on such features as 'Wilton of the West', 'The Count of Monte Cristo', and 'The Flame'. Within a short time he became one of their best artists. He drew parts of the 'Jumbo' and 'Sheena' comics, and he also produced several adventure comics. Between 1939 and 1943, he worked for the Arnold's Quality Comics group. He produced 'Black Condor', 'Stormy Foster' and several issues of 'Uncle Sam'. From early on, Fine's specialty was covers, and he turned out dozens of them. Lou Fine left the comic book industry in 1944 and moved into drawing Sunday advertising strips for the funnies. On his advertising work, he cooperated extensively with Don Komisarow. Together, they created characters like 'Charlie McCarthy' and 'Mr. Coffee Nerves' for Chase and Sanborn Coffee, and 'Sam Spade' for Wildroot Cream Oil. They also made 'The Thropp Family' for Liberty magazine, using the combined signature of Donlou (scripts by Lawrence Lariar). Next, Fine drew two newspaper strips, 'Adam Ames', and 'Peter Scratch', about a tough private eye who lived with his mother. Fine died in 1971 and according to Will Eisner, he was one of the greatest draftsmen ever.
George Tuska who used a variety of pen names including Carl Larson, was an American comic book and newspaper comic strip artist best known for his 1940s work on various Captain Marvel titles and the crime fiction series Crime Does Not Pay and for his 1960s work illustrating Iron Man and other Marvel Comics characters. He also drew the DC Comics newspaper comic strip The World's Greatest Superheroes from 1978–1982.
Dan Zolnerowich was an artist during the Golden Age of Comics. He started out at the Eisner-Iger Studio in 1939, and eventually worked through the Iger Studio until 1944. He is best known for his work for Fiction House, where his credits include 'Super American', 'Suicide Smith', 'Kaanga', 'Kayo Kirby', 'The Hawk', 'Captain Terry Thunder' and 'Captain Wings'.
John Celardo was an American comic strip and comic book artist, best known for illustrating the Tarzan comic strip. Celardo got his start at the Eisner/Iger studio and contributed to the Fiction House line of books, he would go on to produce work for a variety of publishers, including American Comics Group, DC Comics, Gold Key Comics, Quality Comics, Standard Comics, St. John Publications, and Whitman Comics. In the early 1950s, he succeeded Bob Lubbers as illustrator of the Tarzan comic strip. He began the Tarzan daily strip on January 18, 1954 and the Sunday strip on February 28, 1954, eventually drawing a total of 4350 daily strips and 724 Sunday strips. His work was then appearing in 225 newspapers in 12 different countries. Celardo continued on Tarzan until January 7, 1968, when Russ Manning took it over. Celardo then succeeded Joe Kubert on Tales of the Green Beret.
Lou Fine Uncle Sam cover
Artists Information
Louis Kenneth Fine was born in New York. He studied at the Grand Central Art School and Pratt Institute. He was partially crippled by childhood polio and longed to be an illustrator. Among his major influences were Dean Cornwell, J.C. Leyendecker, and Heinrich Kley. Fine joined the Eisner-Iger comic shop in 1938 and soon was drawing for the Fiction House and Fox lines on such features as 'Wilton of the West', 'The Count of Monte Cristo', and 'The Flame'. Within a short time he became one of their best artists. He drew parts of the 'Jumbo' and 'Sheena' comics, and he also produced several adventure comics. Between 1939 and 1943, he worked for the Arnold's Quality Comics group. He produced 'Black Condor', 'Stormy Foster' and several issues of 'Uncle Sam'. From early on, Fine's specialty was covers, and he turned out dozens of them. Lou Fine left the comic book industry in 1944 and moved into drawing Sunday advertising strips for the funnies. On his advertising work, he cooperated extensively with Don Komisarow. Together, they created characters like 'Charlie McCarthy' and 'Mr. Coffee Nerves' for Chase and Sanborn Coffee, and 'Sam Spade' for Wildroot Cream Oil. They also made 'The Thropp Family' for Liberty magazine, using the combined signature of Donlou (scripts by Lawrence Lariar). Next, Fine drew two newspaper strips, 'Adam Ames', and 'Peter Scratch', about a tough private eye who lived with his mother. Fine died in 1971 and according to Will Eisner, he was one of the greatest draftsmen ever.
George Tuska who used a variety of pen names including Carl Larson, was an American comic book and newspaper comic strip artist best known for his 1940s work on various Captain Marvel titles and the crime fiction series Crime Does Not Pay and for his 1960s work illustrating Iron Man and other Marvel Comics characters. He also drew the DC Comics newspaper comic strip The World's Greatest Superheroes from 1978–1982.
Dan Zolnerowich was an artist during the Golden Age of Comics. He started out at the Eisner-Iger Studio in 1939, and eventually worked through the Iger Studio until 1944. He is best known for his work for Fiction House, where his credits include 'Super American', 'Suicide Smith', 'Kaanga', 'Kayo Kirby', 'The Hawk', 'Captain Terry Thunder' and 'Captain Wings'.
John Celardo was an American comic strip and comic book artist, best known for illustrating the Tarzan comic strip. Celardo got his start at the Eisner/Iger studio and contributed to the Fiction House line of books, he would go on to produce work for a variety of publishers, including American Comics Group, DC Comics, Gold Key Comics, Quality Comics, Standard Comics, St. John Publications, and Whitman Comics. In the early 1950s, he succeeded Bob Lubbers as illustrator of the Tarzan comic strip. He began the Tarzan daily strip on January 18, 1954 and the Sunday strip on February 28, 1954, eventually drawing a total of 4350 daily strips and 724 Sunday strips. His work was then appearing in 225 newspapers in 12 different countries. Celardo continued on Tarzan until January 7, 1968, when Russ Manning took it over. Celardo then succeeded Joe Kubert on Tales of the Green Beret.