HOUSE OF MYSTERY #194
VF-: 7.5
(Stock Image)
SOLD ON: Wednesday, 10/16/2019 12:11 PM
$8
Sold For
2
Bids
PUBLISHER: DC
COMMENTS: 2 Comics #194(7.5), #198 (7.5)
52 pgs; Wrightson cover; Toth art; COMIC BOOK IMPACT rating of 6 (CBI)
Read Description ▼
52 pgs; Wrightson cover; Toth art; COMIC BOOK IMPACT rating of 6 (CBI)
DESCRIPTION
2 Comics #194(7.5), #198 (7.5)
52 pgs; Wrightson cover; Toth art; COMIC BOOK IMPACT rating of 6 (CBI)
Artists Information
Jack Kirby is called 'The King of Comics' for a reason, during his career that spanned six decades he gave us many of the most iconic characters the medium would ever see. From his introduction of Captain America at the height of World War II it was clear he wasn't your ordinary comics artist. But it was his creative explosion at Marvel Comics in the 1960's that cemented his legacy, over a short period of time Kirby would give us The Fantastic Four, Iron Man, The Hulk, The X-Men, Thor, Ant-Man and Nick Fury just to name a few. Kirby would then go to DC and create his Fourth World, introducing Darkseid, Mister Miracle, The New Gods and a host of cosmic supporting players. Long live The King.
Toth began working in comics during the Golden Age at DC where he illustrated Green Lantern and other titles, after returning from military service he began working at Hanna-Barbera on cartoons like Space Ghost and the Herculoids, while continuing to work on comics, particularly in the war genre.
Starting out as an amateur, a meeting with Frank Frazetta at a comic convention in 1967 inspired Bernie Wrightson to pursue his dream of becoming a comic book artist, he began working for DC after contributing work samples to Dick Giordano, in the Silver Age he would illustrate short stories in horror anthologies, in one of those tales he invented the Swamp Thing, who would be granted his own title, which Bernie drew the first ten issues of, then he moved over to Warren, known for their macabre content, and grew his fan base, at one point he was living in the same building as Al Milgrom, Howard Chaykin and Walt Simonson. He left comics to form an artist's collective known as 'The Studio' where he would concentrate on posters and lithographs, portfolios and the like, his adaptation of Mary Shelley's Frankenstein is commonly regarded as his finest achievement. His pen and ink and brush work on this black and white collection is elegant and emotionally resonant. He also collaborated with Stephen King on adapting his work like Creepshow. In later years he did spot work on comics, while continuing his poster work, notably illustrating the popular Batman: The Cult series. He passed away in 2017 after a long battle with brain cancer.
52 pgs; Wrightson cover; Toth art; COMIC BOOK IMPACT rating of 6 (CBI)
Artists Information
Jack Kirby is called 'The King of Comics' for a reason, during his career that spanned six decades he gave us many of the most iconic characters the medium would ever see. From his introduction of Captain America at the height of World War II it was clear he wasn't your ordinary comics artist. But it was his creative explosion at Marvel Comics in the 1960's that cemented his legacy, over a short period of time Kirby would give us The Fantastic Four, Iron Man, The Hulk, The X-Men, Thor, Ant-Man and Nick Fury just to name a few. Kirby would then go to DC and create his Fourth World, introducing Darkseid, Mister Miracle, The New Gods and a host of cosmic supporting players. Long live The King.
Toth began working in comics during the Golden Age at DC where he illustrated Green Lantern and other titles, after returning from military service he began working at Hanna-Barbera on cartoons like Space Ghost and the Herculoids, while continuing to work on comics, particularly in the war genre.
Starting out as an amateur, a meeting with Frank Frazetta at a comic convention in 1967 inspired Bernie Wrightson to pursue his dream of becoming a comic book artist, he began working for DC after contributing work samples to Dick Giordano, in the Silver Age he would illustrate short stories in horror anthologies, in one of those tales he invented the Swamp Thing, who would be granted his own title, which Bernie drew the first ten issues of, then he moved over to Warren, known for their macabre content, and grew his fan base, at one point he was living in the same building as Al Milgrom, Howard Chaykin and Walt Simonson. He left comics to form an artist's collective known as 'The Studio' where he would concentrate on posters and lithographs, portfolios and the like, his adaptation of Mary Shelley's Frankenstein is commonly regarded as his finest achievement. His pen and ink and brush work on this black and white collection is elegant and emotionally resonant. He also collaborated with Stephen King on adapting his work like Creepshow. In later years he did spot work on comics, while continuing his poster work, notably illustrating the popular Batman: The Cult series. He passed away in 2017 after a long battle with brain cancer.