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FN: 6.0
Pg. 1; Bill Ward pencils and inks; image size 11.5" x 15"
"Captain Bondage"
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VF: 8.0
Pg. 2; Bill Ward pencils and inks; image size 11.75" x 15.5"
"Captain Bondage"
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VF: 8.0
Pg. 3; Bill Ward pencils and inks; sketch on back; image size 11.5" x 15.5"
"Captain Bondage"
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VF: 8.0
Pg. 5; Bill Ward pencils and inks; image size 11.75" x 14.25"
"Captain Bondage"
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VF: 8.0
Pg. 7; Bill Ward pencils and inks; image size 11.75" x 15.5"
"Captain Bondage"
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Last Gasp
VF: 8.0
Pg. 2; Larry Welz pencils, inks and signed; image size 9.25" x 14"
"Good Morning"
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VF: 8.0
Pg. 8; Larry Welz pencils and inks; image size 9.5" x 14"
"Saturday the 8th Part 5: The Final Beginning"
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VF: 8.0
Pg. 9; Larry Welz pencils and inks; image size 9.75" x 14"
"Saturday the 8th Part 5: The Final Beginning"
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VF: 8.0
Pg. 10; Larry Welz pencils and inks; image size 9.25" x 14"
"Saturday the 8th Part 5: The Final Beginning"
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VF: 8.0
Pg. 10; Larry Welz pencils, inks and signed; image size 12" x 18"
"Beach Party"
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VF: 8.0
Pg. 10; Larry Welz pencils and inks; image size 12" x 18"
"Good Ol' Mom"
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VF: 8.0
Pg. 11; Larry Welz pencils and inks; image size 9.25" x 14"
"Saturday the 8th Part 5: The Final Beginning"
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VF: 8.0
Pg. 12; Larry Welz pencils and inks; image size 9.25" x 14"
"Saturday the 8th Part 5: The Final Beginning"
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VF: 8.0
Pg. 15; Larry Welz pencils and inks; image size 12" x 18"
"Girl Talk"
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Kitchen Sink
VF: 8.0
Pg. 2; Larry Welz, pencils, inks and signed; image size 12" x 16"
"Consciousness Rising"
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Kitchen Sink
VF: 8.0
Pg. 11; Larry Welz pencils and inks; image size 12" x 18"
"The Uncommon XXX-Men vs. The Testosterone Titans"
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Fox
CGC VF/NM: 9.0
ow/white pgs; tied for highest 1 of 3
classic Matt Baker cvr/art; 1st issue
Highest Graded
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Fox
CGC NM: 9.4
off white pgs; second highest graded
classic Matt Baker c/a; nudity panel
While the Phantom Lady covers have long been among comics' most beloved and acclaimed, it's only in recent years that artist Matt Baker has gained the widespread fame and acclaim he so richly deserves. Known for his exquisite linework and eyepopping yet sympathetic portrayals of beautiful women, Baker's historic status as one of the few black artists working in the mid-20th Century comic business has triggered a reevaluation of his standing in the pantheon of graphic artists. The scarcity of much of his work, especially in high grade, has fuelled the frenzy for collectors, and these covers are among the most sought-after.
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Fox
CGC NM+: 9.6
crm/ow pgs
classic Matt Baker good girl cover; lingerie panel, bullet in head panel, something to please every taste
Highest Graded
Another in the series of classic Matt Baker cheesecake covers that makes this title so irresistible to collectors. Modern artists could learn a lot from the exaggerated anatomy in this cover, which is dramatic and stylized without losing definition or leaning into parody. From this image, one can immediately tell why Baker was revered amongst his peers for his composition, staging, and gift for drawing gorgeous yet subtly tough women.
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Fox
CGC NM: 9.4
pink pgs; HIGHEST GRADED COPY OF THIS LEGENDARY GOLDEN AGE TREASURE!!
the Ultimate Good Girl Comic! classic cvr used in SOTI; Matt Baker cvr/art
Highest Graded
A part of the Eisner & Iger Studio characters supplied to Quality Comics, the Phantom Lady was created by Arthur Peddy to be a female counterpart to pulpy crime fighters like the Shadow and the Sandman, a street-smart do-gooder aiming at crooks, crime bosses, and thugs. Initially clad in an alluring yet somewhat chaste yellow swimsuit and green cape, and with little characterization other than just being a crime-busting dame, the strip didn't really take off til it moved to Fox, where studio artist Matt Baker, together with staff writer Ruth Roche, gave the heroine not only more spunk and attitude, but an astoundingly risque outfit that played directly to Baker's strengths as the best Good Girl and cheesecake artist of the Golden Age of Comics. The low print runs of the book, along with the high number of copies destroyed by irate parents and hidden away by panic-stricken adolescents, have led to Baker's immortal PL covers becoming the most in-demand cape covers of the late Golden Age. This may well be his best-known and most-collected cover, for reasons that hardly bear pointing out to any fan of pin-up art. Baker, whose work was sadly unsung during his brief life and career, has become among the most acclaimed and revered of mid-century American illustrators, and his work grows in stature with each passing year, and his notable position as being among the precious few African-American artists regularly working in WWII-era comics lends gravitas to his extraordinary body of work. This may be the most coveted Good Girl art cover ever produced.
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Fox
CGC NM-: 9.2
ow/white pgs
classic Matt Baker good girl cover
Another arresting good-girl cover by the legendary Matt Baker, this time not only grabbing the viewer with surprisingly erotic imagery, but also with its dramatic and poetic action pose. The aggressive red of the Phantom Lady's cape provides a strong backdrop to this, one of Baker's best-ever covers. In recent years, Baker's standing as one of comics' most gifted draftsmen has driven the value of these already-iconic PL covers sky-high. There are very few can't miss comics for investors. This is certainly one of them.
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Fox
CGC FN+: 6.5
ow/white pgs
classic Baker train cover; classic GGA!
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Fox
CGC VF-: 7.5
crm/ow pgs
lingerie panels; Matt Baker cvr/art
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Fox
CGC NM+: 9.6
white pgs
scarce; Kamen-a
Highest Graded
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Fox
CGC G/VG: 3.0
blue pgs
Classic Bondage cvr (tougher than #17); Matt Baker and Jack Kamen art
It can be argued that Phantom Lady comics of the 1940 s became more infamous for their tantalizing bondage covers and suggestive themes than they did for their actual stories. The passionate art of Matt Baker and Jack Kamen brought the Phantom Lady to life, capturing the attention of readers passing by newsstands.
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67 Items Found
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