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DC
VF: 8.0
Pg. 9; Derec Aucoin pencils, Jose Marzan, Jr. inks; 11" x 17"
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02/18/2019


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VF: 8.0
Pg. 1; Chris Yambar pencils, inks and signed and Gary A. Smith pencils and inks; 11.5" x 17.5"
"Misfits"
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Archie Publications
VF: 8.0
Pg. 30; Dan Parent pencils, inks and signed; 10" x 15"
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VF: 8.0
Self Portrait; Alberto Breccia inks and signed; 146/500; 9.75" x 13.5"
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VF: 8.0
Alex Miranda pencils, watercolors, and signed; 2012; image area 7" x 10.5"
Red Monika
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VF: 8.0
Victor Kalin acrylics on board; 1972; 15" x 22"; comes with original paperback book
Cross time and space travel, alternate realities, Telepathic Twin Sisters, this book has it all!
Cover for 1972 edition published by Ace Books.
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DC
VF: 8.0
Pg 9 Chapter 2; Nick Cardy pencils, inks and signed; 14.5 x 19.25"
1st Mera app.
Feast your eyes on a watery magic carpet ride. This splash page from the incendiary talents of Nick Cardy is a preview of things to come as two advertising pages prior, our heroes were left trapped in the clutches of the powerful Leron, the nefarious usurper to the throne of queen Mera. This cliffhanger intro assured readers in 1963 that the foes from Dimension Aqua would not get the best of our titular character who would soon find a way to rescue Mera, in her comic book debut, from her would be saboteurs.

Nick Cardy penned and inked this entire issue. His never-ending talents dazzled readers with new and ingenious ways for these super-abled opponents to manipulate the oceans in epic battles. Consider each watery ripple drawn and expertly present. Attention to details such as these allows the audience to be transported to a porthole view of all the action.
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DC
VF: 8.0
Pg. 2; Patrick Gleason pencils, Christian Alamy inks; 11" x 17"
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DC
VF: 8.0
Pg. 2; Dick Dillin pencils, Sid Greene inks; image size 10" x 15"
There's eye candy galore, every square inch of the page is filled with little details, this Dick Dillon and Sid Greene collaboration kickstarts the story "Return of the Seven Year Dead Man," the tale of a gangster with amnesia who suddenly regains his memory after reading his own death announcement in a newspaper. He recalls a pact with his former partners in crime and decides to return to Ivy City to attend his own funeral, surprising his old pals.

Which brings us to this full-page splash that comes to us, not from page one, but from page two, and it's a genuine cornucopia of action. The reader is brought in mid-skirmish as the Atom biffs, bangs, and pows a bank robber for a loop with a tiny, but atom-packed right cross. In addition, we see a side panel of a reformed gangster, preparing his money as a handsome endowment to Ivy University. Interiors like this one we proudly bring to auction set the audience up for page turning thrills. How do all these characters intersect? Read on, read on.
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Marvel
VF: 8.0
Pg. 10; Don Heck pencils, Dick Ayers inks; 12.5" x 20.5"
From the story, The Coming of...the Swordsman
Hydra's Displacer Ray snatches a seemingly innocuous document from Captain America, relaying nothing more than Cap's interest in working with Sgt. Fury. While of no value to the disgruntled Hydra henchman, below, a passerby will find this discarded memo and attempt to sell the tidbit of information to the Swordsman, who has placed a handsome bounty on anything leading to the capture of one of the Avengers. This attractively illustrated page hails from a classic story that features the first appearance of the Swordsman. Each panel blends into the next creating a seamless flow to the scene. It takes great skill to illustrate a scenario with more imagery than words, Heck and Ayers masterfully accomplish this with great aplomb.
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Marvel
VF: 8.0
Pg. 19; Don Heck pencils, Dick Ayers inks; image size 13.5" x 20"
Battling the Mole Man was a rite of passage for the heroes of Marvel's Silver Age and this time it's the Avengers' turn to fight the foe from down below. A particular panel of note on this page gives us a silhouette of the bite-size hero, Ant-Man, inside the mechanics of Mole Man's evil machine. Fans of Paul Rudd's silver screen performances note the method is exactly how the mini-Avenger foiled both the Falcon and Iron Man. Recently, original art collectors got hip to the creative duo of Don Heck and Dick Ayers, as auction prices for their work have risen steadily. With values for Kirby art in the reaches of the beyond for some collectors, Heck and Ayers do a damn fine job of it for the price.
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Gorblimey Press
FN: 6.0
Barry Windsor Smith signed; 1975; image area 20" x 20"
Foxing on back. Does not affect image.
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DC
VF: 8.0
Pgs. 18; Don Kramer pencils, Wayne Faucher inks; 11" x 17"
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DC
VF: 8.0
Andy Clarke pencils and inks; 11.5" x 17"
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DC
VF: 8.0
Dick Sprang signed and remarqued collector's edition 4/100; 27" x 35"
Remarked by Dick Sprang
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Superior
VF: 8.0
2 Hand-colored watercolored prints by Dale Messick and signed; image area 8" x 10"
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VF: 8.0
8 B/W plates, first one signed by Bruce Jones #132/1000; plate image size 10" x 14"; comes with original folder
Slight foxing on back of folder.
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Blackthorne Publishing
VF: 8.0
Burne Hogarth signed #114/250 print; 1986; image area 18" x 24"; paper size 23" x 35"
Arthur Draws the Sword from the Stone
Some staining on the edges of the paper, does not affect image.

This item will ship in a tube.
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Marvel
VF: 8.0
complete 17 pg color guide to classic Copper Age Cap #246; colors by Bob Sharen, with signature and remark on first page
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Marvel
VF: 8.0
Color Guide Pgs 18-19; John Kalisz watercolor; mounted on backing board with notes on tracing paper 11" x 14.25"
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Marvel
VF: 8.0
Charles Vess signed #31/150; image size 13" x 20.75"


This item will ship in a tube.
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VF: 8.0
2 Charles Vess signed lithos, one signed by Stan Lee, both numbered #1303/2500; comes with COA and the sealed envelope; litho image size 13" x 18.25"
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VG: 4.0
Chas Bohannan paints, inks, and signed; 7" x 10.5
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Marvel
F/VF: 7.0
Pg. 5; Barry Windsor-Smith pencils; Dan Adkins inks; 10" x 15"
When Barry Windsor-Smith and Roy Thomas teamed to create Conan the Barbarian for Marvel Comics, the undertaking was seen as a risky proposition, as the muscular barbarian had no connection to the Marvel Universe of superheroes, existed in a different time period, and took part in adventures that had adult themes. The gamble paid off. Not only did Conan the Barbarian become an instant cult success, but the character was then spun off into two black-and-white magazines, Savage Tales and The Savage Sword of Conan.

This page, from the series' first issue, depicts Conan selling his services to Olav, the leader of the Aesir, a band of warriors. The pair discusses their business arrangements and battle strategy as readers are provided an introduction to the Cimmerian warrior and his straightforward personality. Smith's take on Conan was that of a youthful adventurer, who was still developing into manhood, with human weaknesses, very much the opposite of John Buscema's indestructible musclebound death machine. The early issues of Conan are considered to be some of Smith's best, and his fluid line work and strong sense of composition were the perfect fit for Marvel's foray into the world of Sword & Sorcery. When it comes to Conan fans you can't ask for more than a page from the first issue of the revered, long-running series.

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We realize many of you would like to bid on this auction lot, so for this listing, ComicConnect.com offers a 6 month, interest free, time payment plan with a 20% non-refundable deposit. Time Payments invoices can only be paid by cash, check, money order or wire transfer. LEARN MORE

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Marvel
VF: 8.0
Pg. 27; Barry Windsor-Smith pencils and inks; image size 10" x 15"
Page 6 from the story, The Sword and the Sorcerers!
This Barry Windsor-Smith piece features Starr the Slayer, a Conan-inspired figure designed before Marvel acquired the rights to Robert E. Howard's creation, making this quite the interesting collectible. Appearing in both Chamber of Darkness #4 and Conan the Barbarian #16, this tale, featuring the barbarian prototype, bears an almost indistinguishable resemblance to Smith's rendition of Conan. The story on the page involves the Slayer's mind-bending trip to the future, or a parallel universe, in which he finds the author of a story featuring himself, and, in true barbarian fashion, attempts to kill his creator. Employing creative panel design and the strong-yet-delicate line work Smith is known for, this is a special piece for those Sword and Sorcery fans out there.
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03/11/2019
   
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79,605 Items Found
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