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2,294 Items Found for "amazing spider-man"
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DC
VF/NM: 9.0
first-ever DC/Marvel hero crossover
Phantom Lady Collection
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$215
 

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9:19 PM EDT
Thursday
10/17/2019
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Marvel
VF: 8.0
Spider-Man/MJ Variant Cover A; J. Scott Campbell pencils, inks and signed; image size 10" x 16.25"
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Marvel
CGC FN+: 6.5
off white pgs
Ditko cvr/art; origin retold; 1st Chameleon; 1st J. Jonah Jameson; Fantastic Four cover (3/63)
Where previous heroes had their origin stories based in spectacular events, dramatic twists, and high tragedy, Stan Lee and Steve Ditko firmly planted their flagship character's feet in the hard ground of daily life in the big city. Shy, insecure, lower-class teen, Peter Parker, drawn to scrawny imperfection by Ditko, transforms into a freakish, wise-cracking daredevil, tortured by guilt over the loss of his father figure, all while scrambling to make a quick buck from his sudden brush with semi-greatness. Spider-Man's first appearance in Amazing Fantasy #15 was like nothing anyone had seen before and was an overnight sensation, leading to a hurriedly prepared solo debut issue. Note the use of the Fantastic Four on the cover as insurance, as their group exploits were Marvel's one real box-office draw at the time, and the hungry, ambitious Lee was taking no chances. One of the most important comics of the Silver Age, and the book that proved the Marvel Age was no fluke. Spider-Man's first title issue demarcates a new era of superheroes that is characterized by humanistic protagonists and energetic art that stands apart from the clean-cut crusaders of the Golden Age.
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Marvel
CBCS NM: 9.4
ow/white pgs
Ditko cvr/art; 1st app. Doctor Octopus (7/63)
Every great hero needs a great villain, and while the Vulture, who appeared in the second issue of this title, is great fun and a fine bad guy, he isn't quite the showstopper that Spidey needed to solidify his place in hero history. Enter Doctor Octopus, one of the wildest, most inspired, and most enduring of all the rogues' gallery that the fevered Lee-Ditko hive mind ever cooked up. In keeping with the Marvel theme of misunderstood loners and accidental heroes and villains, tortured genius Otto Octavius finds himself turned into a monster when his experiments in radiation lead to a bizarre apparatus being fused to his body, making him a multi-armed and demented foil for our increasingly beleaguered Webhead. Illustrated with Ditko's typically feverish, imaginative panache, and liberally applied with plenty of high-melodrama Lee dialogue, the first appearance of Doc Ock proved a knockout, and gave Spider-Man his first truly iconic foe.
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Marvel
CGC VF/NM: 9.0
off white pgs
Ditko cvr/art; 1st app. Doctor Octopus (7/63)
Every great hero needs a great villain, and while the Vulture, who appeared in the second issue of this title, is great fun and a fine bad guy, he isn't quite the showstopper that Spidey needed to solidify his place in hero history. Enter Doctor Octopus, one of the wildest, most inspired, and most enduring of all the rogues' gallery that the fevered Lee-Ditko hive mind ever cooked up. In keeping with the Marvel theme of misunderstood loners and accidental heroes and villains, tortured genius Otto Octavius finds himself turned into a monster when his experiments in radiation lead to a bizarre apparatus being fused to his body, making him a multi-armed and demented foil for our increasingly beleaguered Webhead. Illustrated with Ditko's typically feverish, imaginative panache, and liberally applied with plenty of high-melodrama Lee dialogue, the first appearance of Doc Ock proved a knockout, and gave Spider-Man his first truly iconic foe.
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Marvel
G+: 2.5
pg mssg, does not affect story; INCOMPLETE
Ditko cvr/art; 1st app. Doctor Octopus (7/63)
Every great hero needs a great villain, and while the Vulture, who appeared in the second issue of this title, is great fun and a fine bad guy, he isn't quite the showstopper that Spidey needed to solidify his place in hero history. Enter Doctor Octopus, one of the wildest, most inspired, and most enduring of all the rogues' gallery that the fevered Lee-Ditko hive mind ever cooked up. In keeping with the Marvel theme of misunderstood loners and accidental heroes and villains, tortured genius Otto Octavius finds himself turned into a monster when his experiments in radiation lead to a bizarre apparatus being fused to his body, making him a multi-armed and demented foil for our increasingly beleaguered Webhead. Illustrated with Ditko's typically feverish, imaginative panache, and liberally applied with plenty of high-melodrama Lee dialogue, the first appearance of Doc Ock proved a knockout, and gave Spider-Man his first truly iconic foe.
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Marvel
CGC G+: 2.5
off white pgs
Ditko cvr/art; origin & 1st app. Sandman; 1st app. Betty Brant
Enter Sandman! Following in the footsteps of the first appearance of Doc Ock in issue #3, Amazing Spider-Man #4 added Sandman to the rapidly growing pantheon of the Web-head's enemies. The comic also features the first incident of puny Parker's unmasking during a pitched battle, which causes him to flee from the granular baddie. Sandman is eventually thwarted through the use of an industrial vacuum cleaner.
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Marvel
CGC G: 2.0
off white pgs
Ditko cvr/art; 1st Dr. Doom app. outside of Fantastic Four
his issue is something of a departure for the web-slinger as he faces off with Dr. Doom, the nemesis of Spidey's fellow heroes and the first family of crime fighting, The Fantastic Four. Featuring a convoluted plotline, which incorporates J. Jonah Jameson's continuing obsession with taunting our hero, Dr. Doom doppelganger robots, Flash Thompson in Spidey drag, and the perpetually endangered Aunt May, there is plenty to sink one's teeth into where this issue is concerned.
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Marvel
CGC G+: 2.5
off white pgs; Sl (C-1): sml amt of glue on spn of cvr
Ditko cvr/art; origin and 1st app. the Lizard (11/63)
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Marvel
CGC G+: 2.5
ow/white pgs
Ditko cvr/art; origin & 1st app. Electro (2/64)
Spider-Man has some of the best antagonists! Electro, for example, who was leeching off the city's electrical grid and robbed the Forest Hills Bank, defeated Spider-Man. To make matters worse, the Daily Bugle accuses ol' Webhead of Electro's misdeeds. Oh the ignominy! After a quick origin reveal, Electro breaks some new muscle out of the local house of detention. Spider-Man makes the scene, proving to J. Jonah Jameson that he and Electro are different people. With the help of rubber gloves and boots, Spidey defeats his nemesis and unmasks him. Electro never quite had the staying power of Doc Ock, but went on to become a regular member of his Sinister Six.
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Marvel
CGC VG: 4.0
crm/ow pgs
Ditko/Kirby cover; 1st app. the Big Man & the Enforcers (3/64)
The Amazing Spider-Man has been deeply rooted in American pop culture for nearly sixty years and will be a part of superhero mythology for many, many more to come. Stan Lee's gift was an ability to get a kid on a stoop, who may have just spent his last dime, to identify with the larger-than-life and out-of-this world heroes he created. Peter Parker is a teenager from Queens, New York that has all the same problems teens have today; from homework to pimples to bullies to girls, but with the added pressure of being a superhero and all of the extra responsibilities that entails. When Spidey isn't battling a deranged supervillain, he gets to take a bit of a break with the local garden-variety criminals such as the group of bad guys in Amazing Spider-Man #10, the Enforcers.
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Marvel
CGC FN+: 6.5
ow/white pgs
Ditko cvr/art; origin & 1st app. of Mysterio
If you're going to do a hero book with Steve Ditko you may as well go for broke and throw him the most unusual and imaginative villains you can. Thus, Mysterio was born! You can feel everything falling into place by this point, as the Lee/Ditko machine fires on all cylinders. Even the cover seems more confident, more willing to experiment, and more full of ideas than ever before. Note, also, the classic hucksterism along the bottom of the cover, with Marvel happily bragging about its stark break with past conventions, as more and more readers turn on to the Marvel Age of comics. The story within this comic's pages is a real blast as well, introducing a new antagonist, with a bit of a twist, as well as heightening the ongoing tension between Parker/Spider-Man, and Daily Bugle editor, J. Jonah Jameson, who ends up in a sticky situation by the end of the tale.
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Marvel
CGC VG/F: 5.0
off white pgs
Ditko cvr/art; origin & 1st app. of Mysterio
If you're going to do a hero book with Steve Ditko you may as well go for broke and throw him the most unusual and imaginative villains you can. Thus, Mysterio was born! You can feel everything falling into place by this point, as the Lee/Ditko machine fires on all cylinders. Even the cover seems more confident, more willing to experiment, and more full of ideas than ever before. Note, also, the classic hucksterism along the bottom of the cover, with Marvel happily bragging about its stark break with past conventions, as more and more readers turn on to the Marvel Age of comics. The story within this comic's pages is a real blast as well, introducing a new antagonist, with a bit of a twist, as well as heightening the ongoing tension between Parker/Spider-Man, and Daily Bugle editor, J. Jonah Jameson, who ends up in a sticky situation by the end of the tale.
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Marvel
CGC G/VG: 3.0
ow/white pgs
Ditko cvr/art; origin & 1st app. of Mysterio
If you're going to do a hero book with Steve Ditko you may as well go for broke and throw him the most unusual and imaginative villains you can. Thus, Mysterio was born! You can feel everything falling into place by this point, as the Lee/Ditko machine fires on all cylinders. Even the cover seems more confident, more willing to experiment, and more full of ideas than ever before. Note, also, the classic hucksterism along the bottom of the cover, with Marvel happily bragging about its stark break with past conventions, as more and more readers turn on to the Marvel Age of comics. The story within this comic's pages is a real blast as well, introducing a new antagonist, with a bit of a twist, as well as heightening the ongoing tension between Parker/Spider-Man, and Daily Bugle editor, J. Jonah Jameson, who ends up in a sticky situation by the end of the tale.
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Marvel
CGC G/VG: 3.0
ow/white pgs
1st app. Green Goblin; 1st meeting Hulk and Spider-Man
Wherein Spidey gets his Joker, his Luthor, his Red Skull. Every hero needs an arch-villain, someone to completely define the hero's theme, struggle, and style -- and, boy howdy, is the Green Goblin one of the all-time greats. The identity and backstory of this compelling nemesis tie neatly into the Spider-Man story's themes of loss, tragedy, the tricky drama of dealing with friends and family, and the simple day-to-day difficulties of life. One of the most important and beloved of all Marvel keys.
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Marvel
CGC G/VG: 3.0
off white pgs
Ditko cvr/art; 1st app. of Kraven the Hunter; 1st mention of Mary Jane Watson
Mary Jane Watson is such an indelible part of the Spider-Man mythology it's tough to forget that not only was she not Peter Parker's original main squeeze, but she didn't even show up until nearly two years into the run of the original Lee/Ditko title. This issue marks the quiet, unassuming first mention of the woman who would become Peter's Lois Lane. More dramatically, this also marks the first appearance of one of comic's most unique and compelling villains, Kraven the Hunter, given a typically grandiose and eyecatching look by the gifted Ditko and a characteristically tragic backstory from Lee touching on the Russian revolution and the way history tends to crush everyone underfoot, big or small.
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Marvel
CGC VF+: 8.5
ow/white pgs
Ditko cvr/art; 3rd app. Mysterio
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Marvel
CGC F/VF: 7.0
white pgs
Ditko cvr/art; 1st app. Mary Jane
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Marvel
CGC VF+: 8.5
white pgs
Ditko cvr/art; 4th app. Green Goblin; 1st app. Crime Master (7/65)
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Marvel
CGC VF: 8.0
white pgs
Ditko cvr/art; 5th Green Goblin
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Marvel
CGC FN+: 6.5
white pgs
Ditko cvr/art; origin & 1st app. Molten Man; Puny Parker graduates from high school
Much has been written about how Stan Lee made Spider-Man relatable to teenagers by having the character undergo the usual growing pains of a young man in the awkward phases of life. In this issue Spidey passes through one of the rituals of adolescence when he graduates from high school. It was through these traditionally American tropes that the character grew in the hearts and minds of his fans, who, in turn, grew up alongside their crime-fighting hero.
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Marvel
CGC VF: 8.0
off white pgs
Ditko cvr/art; 1st app. Gwen Stacy & Harry Osborn
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Marvel
CGC VF/NM: 9.0
ow/white pgs
Ditko cvr/art; 2nd app. of Dr. Curt Connors
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Marvel
CGC NM: 9.4
ow/white pgs
classic Ditko cvr/art; Dr. Curt Connors app
Ask a hundred Spidey fans what their favorite Ditko Spidey story is and many, including Metropolis COO, Vincent Zurzolo, will point out #33. This has an incredible story, amazing art and a cliffhanger on every page that will make you cheer and root for ol' Webhead!
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Marvel
CGC VF: 8.0
white pgs
Ditko cvr/art; 1st app. Norman Osborn and the Robot-Master; robot cover (6/66)
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2,294 Items Found for "amazing spider-man"
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