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2,027 Items Found for "amazing spider-man"
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Marvel
VF: 8.0
complete 22 pg color guide for "Choices!" story from Amazing Spider-Man #423; signed by Bob Sharen; COA included
Prior to the digital era, color guides were used to inform the printer on how to accurately print the colors of the comic book. These are ONE OF A KIND pieces of the production process of each comic book. Although they vary in size, most color guides were normal note-book paper sized photocopies of the comic book's original art, that were provided to the staff colorist, who would hand-color, water-color, or paint the color guides. The work was pain-staking and required a high level of attention to detail, as well as consistency! Often times a coding system of numbers and/or letters was used to indicate specific colors, shades, and information that was vital to ensuring the printer accurately printed the comic's coloration. These are sometimes drawn right onto the color guides themselves, and in some instances the colorists would mark them up on an acetate or rice paper overlay. Color guides are a unique, one-of-a-kind collectible aspect of the production of a comic book, and as such they have historic value, because they provide insight into the studio and artist's vision of how the comic book should appear in print. Often times the color guide colors are more vibrant and richer than the actual printed comic book, since colors often degraded when printed onto the cheap newsprint paper that comics were traditionally printed on. In addition, some of the nuances of shading and color gradation were sometimes more complex than the print house was able to recreate (or cared to take the time and effort to recreate) and so the color guides often have a truer sense of what the comic should look like, than the actual comic book itself.

In today's digital age, color guides are no longer used, and therefore, vintage color guides are garnering more interest from collectors who are looking for a unique piece of a particular comic book's history and production process to own.
This complete issue color guide by Bob Sharen (coloring pages by Joe Bennett) features our favorite Web-Head battling it out against one of his most dangerous foes, the newly restored Electro, who feels he has the power of a god! This issue sees a Morbius-weakened Spidey defeated and begging for his life from the electrified bad guy after some intense fighting! Also feared prominently are The Rose, Madame Qwa, and Meiko the Dragonfly. Bob Sharen's colors are absolutely stunning as every panel pops off the page!
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Marvel
VF: 8.0
complete 39 pg color guide for "The Chump, the Challenge and the Champion!" story from Amazing Spider-Man #425 - DOUBLE SIZED!
Prior to the digital era, color guides were used to inform the printer on how to accurately print the colors of the comic book. These are ONE OF A KIND pieces of the production process of each comic book. Although they vary in size, most color guides were normal note-book paper sized photocopies of the comic book's original art, that were provided to the staff colorist, who would hand-color, water-color, or paint the color guides. The work was pain-staking and required a high level of attention to detail, as well as consistency! Often times a coding system of numbers and/or letters was used to indicate specific colors, shades, and information that was vital to ensuring the printer accurately printed the comic's coloration. These are sometimes drawn right onto the color guides themselves, and in some instances the colorists would mark them up on an acetate or rice paper overlay. Color guides are a unique, one-of-a-kind collectible aspect of the production of a comic book, and as such they have historic value, because they provide insight into the studio and artist's vision of how the comic book should appear in print. Often times the color guide colors are more vibrant and richer than the actual printed comic book, since colors often degraded when printed onto the cheap newsprint paper that comics were traditionally printed on. In addition, some of the nuances of shading and color gradation were sometimes more complex than the print house was able to recreate (or cared to take the time and effort to recreate) and so the color guides often have a truer sense of what the comic should look like, than the actual comic book itself.

In today's digital age, color guides are no longer used, and therefore, vintage color guides are garnering more interest from collectors who are looking for a unique piece of a particular comic book's history and production process to own.
This complete double-sized issue color guide by Bob Sharen (coloring pages by Steve Skroce) has twice the action and thrills and is so full of awesome action pages, we can hardly contain ourselves! Featuring Spider-Man teamed up with Nate Grey the X-Man, it is a battle-fest as the two take on the recently super-juiced Electro in a battle to the finish! Also featuring the Rose, Delilah, and the first appearance of Master Zei. Here's a great example of a modern color guide that has electrifying imagery that jumps off the page!
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Marvel
VF: 8.0
Alex Saviuk pencils and signed, Joe Sinnott inks and signed, Stan Lee signature; 10/04/09; image size 16" x 8.5"
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Marvel
CGC NM: 9.4
ow/white pgs
Ditko cvr/art; origin retold; 1st Chameleon; 1st J. Jonah Jameson; Fantastic Four cover (3/63)
Where previous heroes had their origin stories based in spectacular events, dramatic twists, and high tragedy, Stan Lee and Steve Ditko firmly planted their flagship character's feet in the hard ground of daily life in the big city. Shy, insecure, lower-class teen, Peter Parker, drawn to scrawny imperfection by Ditko, transforms into a freakish, wise-cracking daredevil, tortured by guilt over the loss of his father figure, all while scrambling to make a quick buck from his sudden brush with semi-greatness. Spider-Man's first appearance in Amazing Fantasy #15 was like nothing anyone had seen before and was an overnight sensation, leading to a hurriedly prepared solo debut issue. Note the use of the Fantastic Four on the cover as insurance, as their group exploits were Marvel's one real box-office draw at the time, and the hungry, ambitious Lee was taking no chances. One of the most important comics of the Silver Age, and the book that proved the Marvel Age was no fluke. Spider-Man's first title issue demarcates a new era of superheroes that is characterized by humanistic protagonists and energetic art that stands apart from the clean-cut crusaders of the Golden Age.


Overstreet Guide 2018 NM- (9.2) value = $72,000.

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Marvel
CGC FN-: 5.5
crm/ow pgs
Ditko cvr/art; origin retold; 1st Chameleon; 1st J. Jonah Jameson; Fantastic Four cover (3/63)
Where previous heroes had their origin stories based in spectacular events, dramatic twists, and high tragedy, Stan Lee and Steve Ditko firmly planted their flagship character's feet in the hard ground of daily life in the big city. Shy, insecure, lower-class teen, Peter Parker, drawn to scrawny imperfection by Ditko, transforms into a freakish, wise-cracking daredevil, tortured by guilt over the loss of his father figure, all while scrambling to make a quick buck from his sudden brush with semi-greatness. Spider-Man's first appearance in Amazing Fantasy #15 was like nothing anyone had seen before and was an overnight sensation, leading to a hurriedly prepared solo debut issue. Note the use of the Fantastic Four on the cover as insurance, as their group exploits were Marvel's one real box-office draw at the time, and the hungry, ambitious Lee was taking no chances. One of the most important comics of the Silver Age, and the book that proved the Marvel Age was no fluke. Spider-Man's first title issue demarcates a new era of superheroes that is characterized by humanistic protagonists and energetic art that stands apart from the clean-cut crusaders of the Golden Age.


Overstreet Guide 2018 FN- (5.5) value = $6,600.

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06/10/2019
   
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Marvel
CGC VG-: 3.5
ow/white pgs
Ditko cvr/art; origin retold; 1st Chameleon; 1st J. Jonah Jameson; Fantastic Four cover (3/63)
Where previous heroes had their origin stories based in spectacular events, dramatic twists, and high tragedy, Stan Lee and Steve Ditko firmly planted their flagship character's feet in the hard ground of daily life in the big city. Shy, insecure, lower-class teen, Peter Parker, drawn to scrawny imperfection by Ditko, transforms into a freakish, wise-cracking daredevil, tortured by guilt over the loss of his father figure, all while scrambling to make a quick buck from his sudden brush with semi-greatness. Spider-Man's first appearance in Amazing Fantasy #15 was like nothing anyone had seen before and was an overnight sensation, leading to a hurriedly prepared solo debut issue. Note the use of the Fantastic Four on the cover as insurance, as their group exploits were Marvel's one real box-office draw at the time, and the hungry, ambitious Lee was taking no chances. One of the most important comics of the Silver Age, and the book that proved the Marvel Age was no fluke. Spider-Man's first title issue demarcates a new era of superheroes that is characterized by humanistic protagonists and energetic art that stands apart from the clean-cut crusaders of the Golden Age.
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$1 

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06/10/2019
   
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Marvel
CGC FA: 1.0
off white pgs; Sl(C-1) pcs added to cvr, tr sls cvr, stpls rplcd, tp on cvr & int cvr
Ditko cvr/art; origin retold; 1st Chameleon; 1st J. Jonah Jameson; Fantastic Four cover (3/63)
Where previous heroes had their origin stories based in spectacular events, dramatic twists, and high tragedy, Stan Lee and Steve Ditko firmly planted their flagship character's feet in the hard ground of daily life in the big city. Shy, insecure, lower-class teen, Peter Parker, drawn to scrawny imperfection by Ditko, transforms into a freakish, wise-cracking daredevil, tortured by guilt over the loss of his father figure, all while scrambling to make a quick buck from his sudden brush with semi-greatness. Spider-Man's first appearance in Amazing Fantasy #15 was like nothing anyone had seen before and was an overnight sensation, leading to a hurriedly prepared solo debut issue. Note the use of the Fantastic Four on the cover as insurance, as their group exploits were Marvel's one real box-office draw at the time, and the hungry, ambitious Lee was taking no chances. One of the most important comics of the Silver Age, and the book that proved the Marvel Age was no fluke. Spider-Man's first title issue demarcates a new era of superheroes that is characterized by humanistic protagonists and energetic art that stands apart from the clean-cut crusaders of the Golden Age.
Start Bid
$1 

Start Time
12:00 PM EDT
05/13/2019


End Time
9:08 PM EDT
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06/10/2019
   
  This auction will begin on 05/13/2019.
   
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Marvel
CGC FN: 6.0
GOLDEN RECORD REPRINT; white pgs
Ditko cvr/art; origin retold; 1st Chameleon; 1st J. Jonah Jameson; Fantastic Four cover (3/63)
Where previous heroes had their origin stories based in spectacular events, dramatic twists, and high tragedy, Stan Lee and Steve Ditko firmly planted their flagship character's feet in the hard ground of daily life in the big city. Shy, insecure, lower-class teen, Peter Parker, drawn to scrawny imperfection by Ditko, transforms into a freakish, wise-cracking daredevil, tortured by guilt over the loss of his father figure, all while scrambling to make a quick buck from his sudden brush with semi-greatness. Spider-Man's first appearance in Amazing Fantasy #15 was like nothing anyone had seen before and was an overnight sensation, leading to a hurriedly prepared solo debut issue. Note the use of the Fantastic Four on the cover as insurance, as their group exploits were Marvel's one real box-office draw at the time, and the hungry, ambitious Lee was taking no chances. One of the most important comics of the Silver Age, and the book that proved the Marvel Age was no fluke. Spider-Man's first title issue demarcates a new era of superheroes that is characterized by humanistic protagonists and energetic art that stands apart from the clean-cut crusaders of the Golden Age.
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$1 

Start Time
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06/10/2019
   
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Marvel
CGC VG: 4.0
ow/white pgs
1st app. Vulture; 1st app. the Tinkerer
It's telling that in the first appearances of their new creation, Lee and Ditko played it largely straight, setting up their teen hero against the troubles of city life and garden-variety thugs, peppered with a bet-hedging cover appearance by the Fantastic Four. By this point, though, they clearly knew they were on to something, and so this initial attempt to expand the webhead's world to include super-villains began with the villainous Vulture, an odd but somehow appropriate nemesis for the new hero. This is also the first truly classic cover of the series, with Ditko's nightmarish visuals allowed to flower in full, backed by an aggressive red-based color scheme that hadn't been tried on Marvel's books to that point.
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Marvel
CGC VF+: 8.5
ow/white pgs
Ditko cvr/art; 1st app. Doctor Octopus (7/63)
Every great hero needs a great villain, and while the Vulture, who appeared in the second issue of this title, is great fun and a fine bad guy, he isn't quite the showstopper that Spidey needed to solidify his place in hero history. Enter Doctor Octopus, one of the wildest, most inspired, and most enduring of all the rogues' gallery that the fevered Lee-Ditko hive mind ever cooked up. In keeping with the Marvel theme of misunderstood loners and accidental heroes and villains, tortured genius Otto Octavius finds himself turned into a monster when his experiments in radiation lead to a bizarre apparatus being fused to his body, making him a multi-armed and demented foil for our increasingly beleaguered web-head. Illustrated with Ditko's typically feverish, imaginative panache, and liberally applied with plenty of high-melodrama Lee dialogue, the first appearance of Doc Ock proved a knockout, and gave Spider-Man his first truly iconic foe.
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Marvel
CGC PR: 0.5
off white pgs; pg 12 missing, does not affect story, incomplete; cvr re-attchd w/tp
Ditko cvr/art; 1st app. Doctor Octopus (7/63)
Every great hero needs a great villain, and while the Vulture, who appeared in the second issue of this title, is great fun and a fine bad guy, he isn't quite the showstopper that Spidey needed to solidify his place in hero history. Enter Doctor Octopus, one of the wildest, most inspired, and most enduring of all the rogues' gallery that the fevered Lee-Ditko hive mind ever cooked up. In keeping with the Marvel theme of misunderstood loners and accidental heroes and villains, tortured genius Otto Octavius finds himself turned into a monster when his experiments in radiation lead to a bizarre apparatus being fused to his body, making him a multi-armed and demented foil for our increasingly beleaguered web-head. Illustrated with Ditko's typically feverish, imaginative panache, and liberally applied with plenty of high-melodrama Lee dialogue, the first appearance of Doc Ock proved a knockout, and gave Spider-Man his first truly iconic foe.
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$1 

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06/10/2019
   
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Marvel
CGC VF+: 8.5
ow/white pgs
Ditko cvr/art; origin & 1st app. Sandman; 1st app. Betty Brant
Enter Sandman! Following in the footsteps of the first appearance of Doc Ock in issue 3, Amazing Spider-Man 4 added Sandman to the rapidly growing pantheon of the Web-head's enemies. The comic also features the first incident of puny Parker's unmasking during a pitched battle, which causes him to flee from the granular baddie. Sandman is eventually thwarted through the use of an industrial vacuum cleaner. A true classic we are pleased to present to our customers, this is a beautiful and newsstand-bright copy of a beloved, Ditko era, early Spidey comic.
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Marvel
CGC G+: 2.5
ow/white pgs
Ditko cvr/art; origin & 1st app. Sandman; 1st app. Betty Brant
Enter Sandman! Following in the footsteps of the first appearance of Doc Ock in issue 3, Amazing Spider-Man 4 added Sandman to the rapidly growing pantheon of the Web-head's enemies. The comic also features the first incident of puny Parker's unmasking during a pitched battle, which causes him to flee from the granular baddie. Sandman is eventually thwarted through the use of an industrial vacuum cleaner. A true classic we are pleased to present to our customers, this is a beautiful and newsstand-bright copy of a beloved, Ditko era, early Spidey comic.
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9:11 PM EDT
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Marvel
CGC VF-: 7.5
ow/white pgs
Ditko cvr/art; Kirby art; robot story
In the debut issue of Spiderman, Lee and company hedged their bets by placing the Fantastic Four front and center to attract new readers to an unproven title. What a difference a year makes, when the new megastar on the block relegates the veteran Torch to guest-star status. The comic boasts a classic cover that appealed directly to the new youth market, which was already influencing pop culture with their hard-earned allowance money.

1st app. of the Living Brain
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Marvel
CGC VG: 4.0
glossy! off white pgs
1st app. Green Goblin; 1st meeting Hulk and Spider-Man
Wherein Spidey gets his Joker, his Luthor, his Red Skull. Every hero needs an arch-villain, someone to completely define the hero's theme, struggle, and style -- and, boy howdy, is the Green Goblin one of the all-time greats. The identity and backstory of this compelling nemesis tie neatly into the Spider-Man story's themes of loss, tragedy, the tricky drama of dealing with friends and family, and the simple day-to-day difficulties of life. One of the most important and beloved of all Marvel keys.
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Marvel
CGC G+: 2.5
off white pgs
1st app. Green Goblin; 1st meeting Hulk and Spider-Man
Wherein Spidey gets his Joker, his Luthor, his Red Skull. Every hero needs an arch-villain, someone to completely define the hero's theme, struggle, and style -- and, boy howdy, is the Green Goblin one of the all-time greats. The identity and backstory of this compelling nemesis tie neatly into the Spider-Man story's themes of loss, tragedy, the tricky drama of dealing with friends and family, and the simple day-to-day difficulties of life. One of the most important and beloved of all Marvel keys.
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06/10/2019
   
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Marvel
CGC FA: 1.0
off white pgs; 6 extra stpls added after manufacturing
1st app. Green Goblin; 1st meeting Hulk and Spider-Man
Wherein Spidey gets his Joker, his Luthor, his Red Skull. Every hero needs an arch-villain, someone to completely define the hero's theme, struggle, and style -- and, boy howdy, is the Green Goblin one of the all-time greats. The identity and backstory of this compelling nemesis tie neatly into the Spider-Man story's themes of loss, tragedy, the tricky drama of dealing with friends and family, and the simple day-to-day difficulties of life. One of the most important and beloved of all Marvel keys.
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9:13 PM EDT
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06/10/2019
   
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Marvel
CGC FN-: 5.5
crm/ow pgs
Ditko cvr/art; 3rd app. Green Goblin
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06/10/2019
   
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Marvel
CGC VF+: 8.5
off white pgs
Ditko cvr/art; 3rd app. Mysterio
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End Time
9:14 PM EDT
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06/10/2019
   
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Marvel
CGC FN+: 6.5
ow/white pgs
Ditko cvr/art; 1st app. Mary Jane
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06/10/2019
   
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Marvel
CGC FN-: 5.5
ow/white pgs
Ditko cvr/art; origin & 1st app. Molten Man; Puny Parker graduates from high school
Much has been written about how Stan Lee made Spider-Man relatable to teenagers by having the character undergo the usual growing pains of a young man in the awkward phases of life. In this issue Spidey passes through one of the rituals of adolescence when he graduates from high school. It was through these traditionally American tropes that the character grew in the hearts and minds of his fans, who, in turn, grew up alongside their crime-fighting hero.
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Marvel
CGC VF/NM: 9.0
off white pgs
Ditko cvr/art; 2nd app. Scorpion
The dubious title of Amazing Spider-Man #29 is "Never Step on a Scorpion! or You Think It's Easy to Dream Up Titles Like This?," which was an obvious nod to Stanley Kubrick's similarly named "Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb." This sort of savvy in-joke shows how ensconced Spidey was in the pop-cultural consciousness of the mid-60s, as fans of high art were also wallowing in the gutter of comic books to get their cheap thrills during the turbulent decade.
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06/10/2019
   
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Marvel
CGC VF-: 7.5
lt tan/ow pgs
Ditko cvr/art; 2nd app. Scorpion
The dubious title of Amazing Spider-Man #29 is "Never Step on a Scorpion! or You Think It's Easy to Dream Up Titles Like This?," which was an obvious nod to Stanley Kubrick's similarly named "Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb." This sort of savvy in-joke shows how ensconced Spidey was in the pop-cultural consciousness of the mid-60s, as fans of high art were also wallowing in the gutter of comic books to get their cheap thrills during the turbulent decade.
Start Bid
$1 

Start Time
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05/13/2019


End Time
9:16 PM EDT
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06/10/2019
   
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Marvel
CGC FN: 6.0
ow/white pgs
Romita art begins; Norman Osborn revealed as Green Goblin (8/66)
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06/10/2019
   
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Marvel
CGC VF-: 7.5
white pgs
classic Romita cvr; 1st app. Kingpin; origin retold
Peter Parker was the first protagonist in the superhero genre to have a "real" life, a home life, troubles, angst, pathos, you name it, he was a typical American teenager. This issue hones in on his conflicts about donning a costume and fighting crime, and how it affected his everyday existence. Witness Parker's employer, J. Jonah Jameson's crusade to destroy the reputation of Spidey, his dipping grades in school, and a sudden turn of ill-health by his beloved Aunt May, these stresses all combine to pressure him to go into early retirement. The eventual result of this decision was to give rise to one of the single most memorable and iconic images of the Silver Age of Marvel, the forsaken Spider-suit, drooping out of a back-alley garbage pail as a dejected Parker walks away in the rain-soaked background. Not to fear though, dear readers, the rise of a new threat in town, the Kingpin, forces the web-slinger back into action against the massive gang lord, in this, his debut issue. Capped off with what is undeniably one of the all-time classic superhero covers, this is a highly sought-after, beloved comic book.
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End Time
9:17 PM EDT
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06/10/2019
   
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2,027 Items Found for "amazing spider-man"
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