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CAPTAIN AMERICA #383
NM+: 9.6
(Stock Image)
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PUBLISHER: Marvel
COMMENTS: white pgs
squarebound anniversary issue, 68 pgs; Jim Lee cvr(i)
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DESCRIPTION
white pgs
squarebound anniversary issue, 68 pgs; Jim Lee cvr(i)



Artists Information

Mark Bagley is an American comics artist. He has worked for Marvel Comics on such titles as The Amazing Spider-Man, Thunderbolts, New Warriors and Ultimate Spider-Man and for DC Comics on Justice League of America, Batman and Trinity. In 1983, Marvel Comics Editor-in-Chief Jim Shooter created the Marvel Try-out Book to draw new talent into the comic book industry. The contest involved a deconstructed comic book which contestants could complete and submit to Marvel. The winner would be awarded a professional assignment with Marvel. At the time, Bagley was 27 years old and living in Marietta, Georgia. He had almost given up on trying to find a job in comics and was satisfied with his position at Lockheed Martin. Bagley was reluctant to enter the contest because of the cost of the Try-out Book itself. His friend, Cliff Biggers, gave him the book and persuaded Bagley to enter the contest. Bagley won first place for penciling, finishing ahead of thousands of other hopefuls. After winning the contest, he didn’t hear from Marvel for several months. After approaching Shooter at a comic convention, Bagley was assigned to a series of low-profile penciling jobs. His comics work during this period included Visionaries, a comic book based on a 1980s toy line, various titles in the New Universe line, backup stories in Captain America and the first series of Marvel Universe Cards. In 1989, Tom DeFalco and Ron Frenz created a team of teenage superheroes called the New Warriors. The following year, Marvel launched a new series based on these heroes and assigned Bagley and writer Fabian Nicieza to the title. Bagley stayed on the title until #25, at which point he left to transition directly onto The Amazing Spider-Man. When Erik Larsen left The Amazing Spider-Man in 1991, Bagley was assigned to the title. He and David Michelinie introduced the Carnage character in The Amazing Spider-Man #361 (April 1992) and produced the Venom: Lethal Protector limited series in 1993. Although not the first artist to draw either Venom or Eddie Brock, Bagley’s version of both characters are widely considered to be the most popular versions of them by fans. Bagley was one of the artists on the “Maximum Carnage” and “Clone Saga” storylines which ran through the Spider-Man titles. Bagley’s artwork was used extensively for licensed material, appearing on everything from plates and cups to credit cards and even video games such as The Amazing Spider-Man: Lethal Foes released exclusively in Japan. In 2012, Comic Book Resources ranked Bagley fourth on its list of the “50 Greatest Spider-Man Creators”. In 1997, Bagley collaborated with writer Kurt Busiek on a new team of superheroes, the Thunderbolts, a group of super-villains disguised as super-heroes, with the final page of the first issue of the series revealing that the Thunderbolts were actually the Masters of Evil, a surprise twist carefully guarded by Marvel. In 2000, Marvel’s then-publisher Bill Jemas was looking to relaunch Marvel’s primary franchises in a way that would make them accessible to newer readers. Ultimate Spider-Man would be a title that began the Spider-Man mythos from the beginning set in modern times. Bagley was assigned to Ultimate Spider-Man with writer Brian Michael Bendis. The Bendis/Bagley partnership of 111 consecutive issues made their partnership one of the longest in American comic book history, and the longest run by a Marvel creative team, beating out Stan Lee and Jack Kirby on Fantastic Four. Bagley collaborated with Bendis on The Pulse and a four-issue arc on Mighty Avengers. Bagley’s long and successful run on Ultimate Spider-Man earned him recognition in Wizard Magazine’s top ten artists of the 2000s in Wizard #219. Ranked #2 on the list, article writer Mark Allen Haverty noted of Bagley, “no other artist came close to the number of comics Bagley sold [in the 2000s], nor the number of Top 20 comics he was a part of.”

Dan Panosian is an American comic book artist, with extensive credits as both a penciler and an inker and has additional credits as an advertising and storyboard artist. Worked on X-Men, Spawn and Pitt.

Ron Lim is an American comic book artist, best known for his work for Marvel Comics on their various “cosmic” titles, most particularly the Silver Surfer (Vol 3) series. He was discovered by Marvel at a 1987 comic convention and was hired on the spot. Lim penciled the Silver Surfer series for almost six years (1988-94). He also penciled most of the “Infinity” trilogy of large-scale crossover limited series which Marvel published in the early 1990s – Infinity Gauntlet (1991), Infinity War (1992) and Infinity Crusade (1993). He returned to these characters to pencil the Thanos series in 2004.

Most people know Danny as the longtime inker for Marvel and DC Comics. His credentials include Captain America, The Fantastic Four, Daredevil, West Coast Avengers, The Blue Beetle, and the Further Adventures of Indiana Jones.

Comic book illustrator Jim Lee is the editorial director of WildStorm Studios (which he founded in 1992) and the artist for many of DC Comics' bestselling comic book and graphic novels, including All Star Batman and Robin, Batman: Hush, and Superman: For Tomorrow. Prior to DC, he was one of the founding fathers of Image Comics and best known for his run on the X-Men for Marvel Comics during which he co-created such characters as Gambit and Agent Zero.


    description
    CAPTAIN AMERICA #383
    Marvel NM/M: 9.8
    investment grade
    squarebound anniversary issue, 68 pgs; Jim Lee cvr(i)
    investment grade
    squarebound anniversary issue, 68 pgs; Jim Lee cvr(i)
    Buy Confirmation
    You are about to buy this item for , and will be legally obligated under the terms of our User Agreement to pay for it in a timely fashion. Continue?
    Offer Confirmation
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