X-MEN (1963-2011) #30
CGC NM/M: 9.8
(Stock Image)
SOLD ON: Friday, 09/13/2019 12:25 PM
$3,120
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12
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PUBLISHER: Marvel
COMMENTS: Pacific Coast Copy; white pgs; 1 of 2 at the top! QES Certified - Criteria met: Preferred staple placement + Flawless staple area + flawless cover edges + Deep Color Strike (Purple)
Jack Kirby cover; X-Men vs. Warlock; COMIC BOOK IMPACT rating of 6 (CBI)
Key Comics Collection
Highest Graded
Read Description ▼
Jack Kirby cover; X-Men vs. Warlock; COMIC BOOK IMPACT rating of 6 (CBI)
Key Comics Collection
Highest Graded
DESCRIPTION
Pacific Coast Copy; white pgs; 1 of 2 at the top! QES Certified - Criteria met: Preferred staple placement + Flawless staple area + flawless cover edges + Deep Color Strike (Purple)
Jack Kirby cover; X-Men vs. Warlock; COMIC BOOK IMPACT rating of 6 (CBI)
Key Comics Collection
Highest Graded
Artists Information
Jack Kirby is called 'The King of Comics' for a reason, during his career that spanned six decades he gave us many of the most iconic characters the medium would ever see. From his introduction of Captain America at the height of World War II it was clear he wasn't your ordinary comics artist. But it was his creative explosion at Marvel Comics in the 1960's that cemented his legacy, over a short period of time Kirby would give us The Fantastic Four, Iron Man, The Hulk, The X-Men, Thor, Ant-Man and Nick Fury just to name a few. Kirby would then go to DC and create his Fourth World, introducing Darkseid, Mister Miracle, The New Gods and a host of cosmic supporting players. Long live The King.
In the 1950s, he worked for companies like Harvey, Toby Press, Charlton and Ziff Davis, doing western, horror and romance titles. He also did syndicated strips like 'Mister Rubbles' and 'Sam Hill'. For Gilberton's Classics Illustrated, Sparling drew 'Robin Hood' and Mark Twain's 'A Connecticut Yankee in King Arthur's Court'. In the late 1960s, Sparling was additionally present in Eerie with several horror stories. From 1960 to 1972, he did the daily 'Honor Eden' for the McClure Syndicate. Jack Sparling remained active until the late 1980s. In the final stages of his comic book career, he worked mainly on Western Publishing titles like 'The Twilight Zone' and 'Turok', but he also did contributions to DC and Marvel titles.
Jack Kirby cover; X-Men vs. Warlock; COMIC BOOK IMPACT rating of 6 (CBI)
Key Comics Collection
Highest Graded
Artists Information
Jack Kirby is called 'The King of Comics' for a reason, during his career that spanned six decades he gave us many of the most iconic characters the medium would ever see. From his introduction of Captain America at the height of World War II it was clear he wasn't your ordinary comics artist. But it was his creative explosion at Marvel Comics in the 1960's that cemented his legacy, over a short period of time Kirby would give us The Fantastic Four, Iron Man, The Hulk, The X-Men, Thor, Ant-Man and Nick Fury just to name a few. Kirby would then go to DC and create his Fourth World, introducing Darkseid, Mister Miracle, The New Gods and a host of cosmic supporting players. Long live The King.
In the 1950s, he worked for companies like Harvey, Toby Press, Charlton and Ziff Davis, doing western, horror and romance titles. He also did syndicated strips like 'Mister Rubbles' and 'Sam Hill'. For Gilberton's Classics Illustrated, Sparling drew 'Robin Hood' and Mark Twain's 'A Connecticut Yankee in King Arthur's Court'. In the late 1960s, Sparling was additionally present in Eerie with several horror stories. From 1960 to 1972, he did the daily 'Honor Eden' for the McClure Syndicate. Jack Sparling remained active until the late 1980s. In the final stages of his comic book career, he worked mainly on Western Publishing titles like 'The Twilight Zone' and 'Turok', but he also did contributions to DC and Marvel titles.