Infantino, Carmine - STAR WARS ANNUAL #2 Interior Page
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PUBLISHER: Marvel
COMMENTS: A 15% BUYER'S PREMIUM WILL BE ADDED TO THIS ITEM AT CONCLUSION OF THE AUCTION
Carmine Infantino pencils/Rudy Nebres inks; page 2; 1982; image size 10" x 15"
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Carmine Infantino pencils/Rudy Nebres inks; page 2; 1982; image size 10" x 15"
DESCRIPTION
A 15% BUYER'S PREMIUM WILL BE ADDED TO THIS ITEM AT CONCLUSION OF THE AUCTION
Carmine Infantino pencils/Rudy Nebres inks; page 2; 1982; image size 10" x 15"Great Han Solo-centric page by Infantino, featuring Han and Chrysalla entering an ancient temple with mysterious properties. Panel three was the inspiration for the issues' cover. Pen and ink. Art is in excellent condition. Signed by Infantino.
Artists Information
High School of Art & Design alum Carmine Infantino got his start in the industry working Timely, a precursor to Marvel Comics, where he would do spot work on anthology features, in his first work at DC he helped create Black Canary and began his long-running involvement with the Flash during his Golden Age era, as well as illustrating the original Green Lantern. After the post-war comic book slump Infantino collaborated with writer Robert Kanigher and editor Julius Schwartz to help bring back superheroes and launch the Silver Age by updating the Flash in the pages of Showcase, the reboot was a huge success and led to the superhero rebirth that has continued into the modern day, Infantino's ability to capture speed and movement on a page made his Flash believable and engaging. Carmine was promoted to Art Director and then Publisher at DC over the course of his illustrious career,
Rudy Nebres is a Filipino comics artist who has worked mostly as an inker in the American comic book industry. Nebres flourished in the 1970's horror comics at DC working on such titles as House of Mystery, House of Secrets, Ghosts, The Unexpected and The Witching Hour. He would go on to work at Marvel as well, inking John Byrne's first story there in Giant-Size Dracula #5, he would also work on Doctor Strange, Power Man and Iron Fist, Deadly Hands of Kung-Fu, and various Conan titles. Nebres was also a contributor to the Warren titles Creepy, Eerie and Vampirella.
Carmine Infantino pencils/Rudy Nebres inks; page 2; 1982; image size 10" x 15"Great Han Solo-centric page by Infantino, featuring Han and Chrysalla entering an ancient temple with mysterious properties. Panel three was the inspiration for the issues' cover. Pen and ink. Art is in excellent condition. Signed by Infantino.
Artists Information
High School of Art & Design alum Carmine Infantino got his start in the industry working Timely, a precursor to Marvel Comics, where he would do spot work on anthology features, in his first work at DC he helped create Black Canary and began his long-running involvement with the Flash during his Golden Age era, as well as illustrating the original Green Lantern. After the post-war comic book slump Infantino collaborated with writer Robert Kanigher and editor Julius Schwartz to help bring back superheroes and launch the Silver Age by updating the Flash in the pages of Showcase, the reboot was a huge success and led to the superhero rebirth that has continued into the modern day, Infantino's ability to capture speed and movement on a page made his Flash believable and engaging. Carmine was promoted to Art Director and then Publisher at DC over the course of his illustrious career,
Rudy Nebres is a Filipino comics artist who has worked mostly as an inker in the American comic book industry. Nebres flourished in the 1970's horror comics at DC working on such titles as House of Mystery, House of Secrets, Ghosts, The Unexpected and The Witching Hour. He would go on to work at Marvel as well, inking John Byrne's first story there in Giant-Size Dracula #5, he would also work on Doctor Strange, Power Man and Iron Fist, Deadly Hands of Kung-Fu, and various Conan titles. Nebres was also a contributor to the Warren titles Creepy, Eerie and Vampirella.
