Severin, Marie - SUB-MARINER (1968-74) #19 Interior Page
VF: 8.0
(Stock Image)
SOLD ON: Monday, 12/16/2024 8:25 PM
$5,750
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PUBLISHER: Marvel
COMMENTS: A 15% BUYER'S PREMIUM WILL BE ADDED TO THIS ITEM AT CONCLUSION OF THE AUCTION
Marie Severin pencils/Johnny Craig inks; page 18; 1969; image size 10" x 15"
Subby vs. Stingray!
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Marie Severin pencils/Johnny Craig inks; page 18; 1969; image size 10" x 15"
Subby vs. Stingray!
DESCRIPTION
A 15% BUYER'S PREMIUM WILL BE ADDED TO THIS ITEM AT CONCLUSION OF THE AUCTION
Marie Severin pencils/Johnny Craig inks; page 18; 1969; image size 10" x 15"
Subby vs. Stingray!Great Silver Age action page by Severin and Craig featuring Sub-Mariner battling the deadly Stingray beneath the Brooklyn Bridge. Pen and ink. Art is in excellent condition. Signed by Severin.
The Brooklyn Bridge in panel 4 is a touched up photostat.
Artist Information
Marie Severin was an American comics artist and colorist best known for her work for Marvel Comics and the 1950s' EC Comics. She is an inductee of the Will Eisner Comics Hall of Fame and the Harvey Awards Hall of Fame. Frank Jacobs, in his 1972 biography of EC publisher William M. Gaines, wrote, "There was Marie Severin, Gaines's colorist, and a very moral Catholic, who made her feelings known by coloring dark blue any panel she thought was in bad taste. [EC editor Al] Feldstein called her 'the conscience of EC."'
Marie Severin pencils/Johnny Craig inks; page 18; 1969; image size 10" x 15"
Subby vs. Stingray!Great Silver Age action page by Severin and Craig featuring Sub-Mariner battling the deadly Stingray beneath the Brooklyn Bridge. Pen and ink. Art is in excellent condition. Signed by Severin.
The Brooklyn Bridge in panel 4 is a touched up photostat.
Artist Information
Marie Severin was an American comics artist and colorist best known for her work for Marvel Comics and the 1950s' EC Comics. She is an inductee of the Will Eisner Comics Hall of Fame and the Harvey Awards Hall of Fame. Frank Jacobs, in his 1972 biography of EC publisher William M. Gaines, wrote, "There was Marie Severin, Gaines's colorist, and a very moral Catholic, who made her feelings known by coloring dark blue any panel she thought was in bad taste. [EC editor Al] Feldstein called her 'the conscience of EC."'