JOURNEY INTO MYSTERY #86
CGC NM+: 9.6
(Stock Image)
SOLD ON: Thursday, 06/27/2024 8:30 PM
$12,500
Sold For
42
Bids
PUBLISHER: Marvel
COMMENTS: white pgs
Kirby cover/art; Ditko art; 1st full app. Odin; 1st app. of Zarrko, the Tomorrow Man
Read Description ▼
Kirby cover/art; Ditko art; 1st full app. Odin; 1st app. of Zarrko, the Tomorrow Man
DESCRIPTION
white pgs
Kirby cover/art; Ditko art; 1st full app. Odin; 1st app. of Zarrko, the Tomorrow Man
This early Thor adventure introduces the Thunder God to one of the Marvel Age’s favorite plot devices: the ever-reliable time travel adventure. Stan Lee had already found that jumping through the ages brought in fans of fantasy, mythology, and science fiction — in addition to being an easy way to explain new super-powered enemies. In this case, Thor’s around for the first appearance of Zarrko the Tomorrow Man, who travels 300 years back in time to steal a Cobalt bomb to start global wars in his dull, peaceful world. Thor travels to Asgard and asks Odin (in their first comics conversation) how to travel to 2262 to stop Zarrko’s evil plan. All of this is penciled by Jack Kirby in an unexpectedly realistic style that’s kept this comic a true collectible amongst the King’s many fervent fans.
Thor’s fourth appearance in the Marvel universe is captured here in a striking 9.6 book sporting white pages, with only 3 copies ranked higher in the CGC Census. The God of Thunder is front and center dominating the cover, and the light grays and greens allow the newly minted hero to shine. Kirby’s amazing skill with foreshortening works wonders here as Mjolnir seems to be bursting right off of the page.
Overstreet Guide 2023 NM- (9.2) value = $3,200.
If you are a new customer planning to make a first-time purchase over $25,000, please contact us 24 hours in advance of the item closing at 212.895.3999 or support@comicconnect.com so that we may approve your account for bidding. (This policy was instituted to protect consignors and bidders against bids from fraudulent accounts, and to ensure the integrity of the bidding process.) Once approved, please log out of your account and then log in for the approval to take effect.
Artists Information
Steve Ditko was an American comics artist and writer best known for being the co-creator of Marvel superhero Spider-Man and creator of Doctor Strange. He also made notable contributions to the character of Iron Man, revolutionizing the character's red and yellow design.
Ditko studied under Batman artist Jerry Robinson at the Cartoonist and Illustrators School in New York City. He began his professional career in 1953, working in the studio of Joe Simon and Jack Kirby, beginning as an inker and coming under the influence of artist Mort Meskin. During this time, he began his long association with Charlton Comics, where he did work in the genres of science fiction, horror, and mystery. He also co-created the superhero Captain Atom in 1960.
During the summer of 1958, writer-editor Stan Lee invited Ditko back to Atlas. Ditko would go on to contribute a large number of stories, many considered classic, to Atlas/Marvel's Strange Tales and the newly launched Amazing Adventures, Strange Worlds, Tales of Suspense and Tales to Astonish, issues of which would typically open with a Kirby-drawn monster story, followed by one or two twist-ending thrillers or sci-fi tales drawn by Don Heck, Paul Reinman, or Joe Sinnott, all capped by an often-surreal, sometimes self-reflective short by Ditko and Stan Lee. The first collaboration between Ditko and Lee was 2-Gun Western #4 (May 1956), which was also Ditko's only non-fantasy story.
These Lee-Ditko short stories proved so popular that Amazing Adventures was reformatted to feature such stories exclusively beginning with issue #7 (Dec. 1961), when the comic was rechristened Amazing Adult Fantasy, a name intended to reflect its more "sophisticated" nature, as likewise the new tagline "The magazine that respects your intelligence". Lee in 2009 described these "short, five-page filler strips that Steve and I did together", originally "placed in any of our comics that had a few extra pages to fill", as "odd fantasy tales that I'd dream up with O. Henry-type endings." Giving an early example of what would later be known as the "Marvel Method" of writer-artist collaboration, Lee said, "All I had to do was give Steve a one-line description of the plot and he'd be off and running. He'd take those skeleton outlines I had given him and turn them into classic little works of art that ended up being far cooler than I had any right to expect."
During the 1950s, Ditko also drew for Atlas Comics, a forerunner of Marvel Comics. He went on to contribute much significant work to Marvel. Ditko was the artist for the first 38 issues of The Amazing Spider-Man, co-creating much of the Spider-Man supporting characters and villains with Stan Lee. Beginning with issue #25, Ditko was also credited as the plotter. In 1966, after being the exclusive artist on The Amazing Spider-Man and the "Doctor Strange" feature in Strange Tales, Ditko left Marvel for a variety of reasons, including creative differences and unpaid royalties.
Ditko continued to work for Charlton and also DC Comics, including a revamp of the long-running character the Blue Beetle and creating or co-creating the Question, the Creeper, Shade the Changing Man, and Hawk and Dove. Ditko also began contributing to small independent publishers, where he created Mr. A, a hero reflecting the influence of Ayn Rand's philosophy of Objectivism. Ditko largely declined to give interviews, saying he preferred to communicate through his work.
Ditko was inducted into the comics industry's Jack Kirby Hall of Fame in 1990 and into the Will Eisner Award Hall of Fame in 1994. He will be posthumously honored as a Disney Legend in 2024.
Jack Kirby is called 'The King of Comics' for a reason, during his career that spanned six decades he gave us many of the most iconic characters the medium would ever see. From his introduction of Captain America at the height of World War II it was clear he wasn't your ordinary comics artist. But it was his creative explosion at Marvel Comics in the 1960's that cemented his legacy, over a short period of time Kirby would give us The Fantastic Four, Iron Man, The Hulk, The X-Men, Thor, Ant-Man and Nick Fury just to name a few. Kirby would then go to DC and create his Fourth World, introducing Darkseid, Mister Miracle, The New Gods and a host of cosmic supporting players. Long live The King!
Richard "Dick" Ayers was an American comic book artist and cartoonist best known for his work as one of the main inkers during the late-1950's and 1960's Silver Age of Comics, including some of the earliest issues of Marvel Comics' including Jack Kirby's The Fantastic Four. He is the signature penciler of Marvel's World War II comic Sgt. Fury and his Howling Commandos, drawing it for a 10-year run, and he co-created Magazine Enterprises' 1950s Western-horror character the Ghost Rider, a version of which he would draw for Marvel in the 1960s. His career would span 7 decades until his death in 2014.
Don Heck was an American comics artist best known for co-creating the Marvel Comics characters Iron Man and the Wasp, and for his long run penciling The Avengers during the Silver Age.
Kirby cover/art; Ditko art; 1st full app. Odin; 1st app. of Zarrko, the Tomorrow Man
This early Thor adventure introduces the Thunder God to one of the Marvel Age’s favorite plot devices: the ever-reliable time travel adventure. Stan Lee had already found that jumping through the ages brought in fans of fantasy, mythology, and science fiction — in addition to being an easy way to explain new super-powered enemies. In this case, Thor’s around for the first appearance of Zarrko the Tomorrow Man, who travels 300 years back in time to steal a Cobalt bomb to start global wars in his dull, peaceful world. Thor travels to Asgard and asks Odin (in their first comics conversation) how to travel to 2262 to stop Zarrko’s evil plan. All of this is penciled by Jack Kirby in an unexpectedly realistic style that’s kept this comic a true collectible amongst the King’s many fervent fans.
Thor’s fourth appearance in the Marvel universe is captured here in a striking 9.6 book sporting white pages, with only 3 copies ranked higher in the CGC Census. The God of Thunder is front and center dominating the cover, and the light grays and greens allow the newly minted hero to shine. Kirby’s amazing skill with foreshortening works wonders here as Mjolnir seems to be bursting right off of the page.
Overstreet Guide 2023 NM- (9.2) value = $3,200.
If you are a new customer planning to make a first-time purchase over $25,000, please contact us 24 hours in advance of the item closing at 212.895.3999 or support@comicconnect.com so that we may approve your account for bidding. (This policy was instituted to protect consignors and bidders against bids from fraudulent accounts, and to ensure the integrity of the bidding process.) Once approved, please log out of your account and then log in for the approval to take effect.
Artists Information
Steve Ditko was an American comics artist and writer best known for being the co-creator of Marvel superhero Spider-Man and creator of Doctor Strange. He also made notable contributions to the character of Iron Man, revolutionizing the character's red and yellow design.
Ditko studied under Batman artist Jerry Robinson at the Cartoonist and Illustrators School in New York City. He began his professional career in 1953, working in the studio of Joe Simon and Jack Kirby, beginning as an inker and coming under the influence of artist Mort Meskin. During this time, he began his long association with Charlton Comics, where he did work in the genres of science fiction, horror, and mystery. He also co-created the superhero Captain Atom in 1960.
During the summer of 1958, writer-editor Stan Lee invited Ditko back to Atlas. Ditko would go on to contribute a large number of stories, many considered classic, to Atlas/Marvel's Strange Tales and the newly launched Amazing Adventures, Strange Worlds, Tales of Suspense and Tales to Astonish, issues of which would typically open with a Kirby-drawn monster story, followed by one or two twist-ending thrillers or sci-fi tales drawn by Don Heck, Paul Reinman, or Joe Sinnott, all capped by an often-surreal, sometimes self-reflective short by Ditko and Stan Lee. The first collaboration between Ditko and Lee was 2-Gun Western #4 (May 1956), which was also Ditko's only non-fantasy story.
These Lee-Ditko short stories proved so popular that Amazing Adventures was reformatted to feature such stories exclusively beginning with issue #7 (Dec. 1961), when the comic was rechristened Amazing Adult Fantasy, a name intended to reflect its more "sophisticated" nature, as likewise the new tagline "The magazine that respects your intelligence". Lee in 2009 described these "short, five-page filler strips that Steve and I did together", originally "placed in any of our comics that had a few extra pages to fill", as "odd fantasy tales that I'd dream up with O. Henry-type endings." Giving an early example of what would later be known as the "Marvel Method" of writer-artist collaboration, Lee said, "All I had to do was give Steve a one-line description of the plot and he'd be off and running. He'd take those skeleton outlines I had given him and turn them into classic little works of art that ended up being far cooler than I had any right to expect."
During the 1950s, Ditko also drew for Atlas Comics, a forerunner of Marvel Comics. He went on to contribute much significant work to Marvel. Ditko was the artist for the first 38 issues of The Amazing Spider-Man, co-creating much of the Spider-Man supporting characters and villains with Stan Lee. Beginning with issue #25, Ditko was also credited as the plotter. In 1966, after being the exclusive artist on The Amazing Spider-Man and the "Doctor Strange" feature in Strange Tales, Ditko left Marvel for a variety of reasons, including creative differences and unpaid royalties.
Ditko continued to work for Charlton and also DC Comics, including a revamp of the long-running character the Blue Beetle and creating or co-creating the Question, the Creeper, Shade the Changing Man, and Hawk and Dove. Ditko also began contributing to small independent publishers, where he created Mr. A, a hero reflecting the influence of Ayn Rand's philosophy of Objectivism. Ditko largely declined to give interviews, saying he preferred to communicate through his work.
Ditko was inducted into the comics industry's Jack Kirby Hall of Fame in 1990 and into the Will Eisner Award Hall of Fame in 1994. He will be posthumously honored as a Disney Legend in 2024.
Jack Kirby is called 'The King of Comics' for a reason, during his career that spanned six decades he gave us many of the most iconic characters the medium would ever see. From his introduction of Captain America at the height of World War II it was clear he wasn't your ordinary comics artist. But it was his creative explosion at Marvel Comics in the 1960's that cemented his legacy, over a short period of time Kirby would give us The Fantastic Four, Iron Man, The Hulk, The X-Men, Thor, Ant-Man and Nick Fury just to name a few. Kirby would then go to DC and create his Fourth World, introducing Darkseid, Mister Miracle, The New Gods and a host of cosmic supporting players. Long live The King!
Richard "Dick" Ayers was an American comic book artist and cartoonist best known for his work as one of the main inkers during the late-1950's and 1960's Silver Age of Comics, including some of the earliest issues of Marvel Comics' including Jack Kirby's The Fantastic Four. He is the signature penciler of Marvel's World War II comic Sgt. Fury and his Howling Commandos, drawing it for a 10-year run, and he co-created Magazine Enterprises' 1950s Western-horror character the Ghost Rider, a version of which he would draw for Marvel in the 1960s. His career would span 7 decades until his death in 2014.
Don Heck was an American comics artist best known for co-creating the Marvel Comics characters Iron Man and the Wasp, and for his long run penciling The Avengers during the Silver Age.