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Wrightson cover; COMIC BOOK IMPACT rating of 6 (CBI)



Artists Information

Bill Everett was an American comic book writer-artist best known for creating Namor the Sub-Mariner, as well as co-creating Daredevil with writer Stan Lee for Marvel Comics. Everett fell into comics almost by accident in the industry's earliest days, creating the character Amazing-Man for Centaur Publications in 1939. That same year saw Everett contributing the first Sub-Mariner story for Marvel Mystery Comics #1, the very first book from Timely Comics (which would eventually become Marvel Comics). Sub-Mariner would prove to be one of Timely's earliest hits, and Everett would continue drawing Namor's adventures until 1949. In the '50s, Everett would continue working for what was now Atlas Comics on numerous titles, occasionally reviving Sub-Mariner. With the explosion of the Marvel Age in the '60s, Everett joined Stan Lee in co-creating and drawing the first issue of Daredevil. He also found regular work contributing to Tales to Astonish and Strange Tales. The Sub-Mariner would return again in Tales to Astonish #85, continuing there (and then in his own title) with sporadic contributions from Everett. Bill Everett died suddenly at the age of 55 in 1973.

Starting out as an amateur, a meeting with Frank Frazetta at a comic convention in 1967 inspired Bernie Wrightson to pursue his dream of becoming a comic book artist, he began working for DC after contributing work samples to Dick Giordano, in the Silver Age he would illustrate short stories in horror anthologies, in one of those tales he invented the Swamp Thing, who would be granted his own title, which Bernie drew the first ten issues of, then he moved over to Warren, known for their macabre content, and grew his fan base, at one point he was living in the same building as Al Milgrom, Howard Chaykin and Walt Simonson. He left comics to form an artist's collective known as 'The Studio' where he would concentrate on posters and lithographs, portfolios and the like, his adaptation of Mary Shelley's Frankenstein is commonly regarded as his finest achievement. His pen and ink and brush work on this black and white collection is elegant and emotionally resonant. He also collaborated with Stephen King on adapting his work like Creepshow. In later years he did spot work on comics, while continuing his poster work, notably illustrating the popular Batman: The Cult series. He passed away in 2017 after a long battle with brain cancer.