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Cockrum, Dave - X-MEN (1963-2011) #150 Splash Page
VF: 8.0
(Stock Image)
SOLD ON:  Monday, 03/11/2019 1:16 PM
Sold For
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COMMENTS: Pg. 1; Dave Cockrum pencils; inks, finished art & signed by Joe Rubinstein; 11" x 17"
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Pg. 1; Dave Cockrum pencils; inks, finished art & signed by Joe Rubinstein; 11" x 17"
The plot-line of X-Men #150 concerns Magneto's growing sense of narcissism and godlike power, as he gives the world an ultimatum, stop manufacturing weapons or face the might of Magneto. The metal-controlling mutant fancies himself a benevolent force for good, but the X-Men know his unstable psyche can be the cause of great disaster, so they set off to defeat their long-term nemesis, and after a mighty struggle Magneto backs down after witnessing first hand his destructive abilities and his lack of control over them.
Dave Cockrum was responsible for creating many of the second wave of X-Men, penciling issues #94-105, and returning to the title after the departure of John Byrne. It was during his second tenure on the book that the talented Cockrum drew the impressive splash page on offer here, assisted by the trusty workhorse Joe Rubinstein, their take on the malevolent Magneto is powerful, showing the evil mutant in a dastardly pose, looming over a globe that represents a planet he wishes to dominate. Cockrum employs darkness and light to great effect here, making his subject seem intensely menacing as he glares out from underneath his metal cowl. Art is signed by Joe Rubinstein.

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Artists Information

David Emmett Cockrum was an American comics artist known for his co-creation of the new X-Men characters Nightcrawler, Storm, and Colossus as well as the antiheroine Black Cat. Cockrum was a prolific and inventive costume designer who updated the uniforms of the Legion of Super-Heroes. He did the same for the new X-Men and many of their antagonists in the 1970s and early 1980s.

Josef "Joe" Rubinstein is a comic book artist and inker, most associated with inking Marvel Comics' The Official Handbook of the Marvel Universe and the 1982 four-issue Wolverine miniseries by Chris Claremont and Frank Miller. He is also known to be the one to have given artist Art Adams his first professional work.

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