SPIDER-WOMAN (1978-83) #1
CGC NM/M: 9.8
(Stock Image)
SOLD ON: Thursday, 12/12/2019 12:24 PM
$190
Sold For
13
Bids
PUBLISHER: Marvel
COMMENTS: white pgs
Joe Sinnott cover; new origin Spider-Woman; COMIC BOOK IMPACT rating of 6 (CBI)
Highest Graded
Read Description ▼
Joe Sinnott cover; new origin Spider-Woman; COMIC BOOK IMPACT rating of 6 (CBI)
Highest Graded
DESCRIPTION
white pgs
Joe Sinnott cover; new origin Spider-Woman; COMIC BOOK IMPACT rating of 6 (CBI)
Highest Graded
Artists Information
High School of Art & Design alum Carmine Infantino got his start in the industry working Timely, a precursor to Marvel Comics, where he would do spot work on anthology features, in his first work at DC he helped create Black Canary and began his long-running involvement with the Flash during his Golden Age era, as well as illustrating the original Green Lantern. After the post-war comic book slump Infantino collaborated with writer Robert Kanigher and editor Julius Schwartz to help bring back superheroes and launch the Silver Age by updating the Flash in the pages of Showcase, the reboot was a huge success and led to the superhero rebirth that has continued into the modern day, Infantino's ability to capture speed and movement on a page made his Flash believable and engaging. Carmine was promoted to Art Director and then Publisher at DC over the course of his illustrious career,
Joe Sinnott is an American comic book artist. Working primarily as an inker, Sinnott is best known for his long stint on Marvel Comics' Fantastic Four, from 1965 to 1981, initially over the pencils of Jack Kirby. During his 60 years as a Marvel freelancer and then salaried artist working from home, Sinnott inked virtually every major title, with notable runs on The Avengers, The Defenders and Thor.
Joe Sinnott cover; new origin Spider-Woman; COMIC BOOK IMPACT rating of 6 (CBI)
Highest Graded
Artists Information
High School of Art & Design alum Carmine Infantino got his start in the industry working Timely, a precursor to Marvel Comics, where he would do spot work on anthology features, in his first work at DC he helped create Black Canary and began his long-running involvement with the Flash during his Golden Age era, as well as illustrating the original Green Lantern. After the post-war comic book slump Infantino collaborated with writer Robert Kanigher and editor Julius Schwartz to help bring back superheroes and launch the Silver Age by updating the Flash in the pages of Showcase, the reboot was a huge success and led to the superhero rebirth that has continued into the modern day, Infantino's ability to capture speed and movement on a page made his Flash believable and engaging. Carmine was promoted to Art Director and then Publisher at DC over the course of his illustrious career,
Joe Sinnott is an American comic book artist. Working primarily as an inker, Sinnott is best known for his long stint on Marvel Comics' Fantastic Four, from 1965 to 1981, initially over the pencils of Jack Kirby. During his 60 years as a Marvel freelancer and then salaried artist working from home, Sinnott inked virtually every major title, with notable runs on The Avengers, The Defenders and Thor.