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crm/ow pgs; Sl (C-1): cvr reatt w glue; spn of cvr completely splt and reatt w tp
classic Everett skeleton wedding cover
This will end well. Bill Everett, whose lush, watery style perfectly complemented the underwater exploits of the Sub-Mariner in the Golden Age, found himself, like most of his contemporaries, scrambling to fit the tenor of the times when the hero bust of the late 1940s led to the horror boom of the 1950s. Luckily, Everett was far more versatile than most and easily applied his rich, dynamic look to Atlas' slick attempts to steal some of the EC ghoulie-comic thunder. This may not be his most famous horror cover, but it's a cult classic favorite among Atlas horror fans and Everett fanatics, as his expert use of blacks, foreshortening, and perfect compositional sense shove this delightfully grisly image front and center, on a cover that surely hoovered dimes out of school boy pockets all over the country. NOTE: may not be the best wedding gift for the happy couple, unless they have a very dark sense of humor.


Artists Information

'The Michelangelo of comics.' Buscema was one of the mainstays of Marvel Comics during its 1960s and 1970s heyday, best known for his run on the The Avengers and The Silver Surfer, and for over 200 stories featuring the sword-and-sorcery hero Conan the Barbarian. In addition, he penciled at least one issue of nearly every major Marvel title, including long runs on two of the company's top books, Fantastic Four and Thor.

Bill Everett was an American comic book writer-artist best known for creating Namor the Sub-Mariner, as well as co-creating Daredevil with writer Stan Lee for Marvel Comics. Everett fell into comics almost by accident in the industry's earliest days, creating the character Amazing-Man for Centaur Publications in 1939. That same year saw Everett contributing the first Sub-Mariner story for Marvel Mystery Comics #1, the very first book from Timely Comics (which would eventually become Marvel Comics). Sub-Mariner would prove to be one of Timely's earliest hits, and Everett would continue drawing Namor's adventures until 1949. In the '50s, Everett would continue working for what was now Atlas Comics on numerous titles, occasionally reviving Sub-Mariner. With the explosion of the Marvel Age in the '60s, Everett joined Stan Lee in co-creating and drawing the first issue of Daredevil. He also found regular work contributing to Tales to Astonish and Strange Tales. The Sub-Mariner would return again in Tales to Astonish #85, continuing there (and then in his own title) with sporadic contributions from Everett. Bill Everett died suddenly at the age of 55 in 1973.

Eugene Jules Colan was an American comic book artist best known for his work for Marvel Comics, where his signature titles include the superhero series Daredevil, the cult-hit satiric series Howard the Duck, and The Tomb of Dracula, considered one of comics' classic horror series. He co-created the Falcon, the first African-American superhero in mainstream comics, Carol Danvers, who would become Ms. Marvel and Captain Marvel, and the supernatural vampire hunter Blade.

Richard "Dick" Ayers was an American comic book artist and cartoonist best known for his work as one of the main inkers during the late-1950's and 1960's Silver Age of Comics, including some of the earliest issues of Marvel Comics' including Jack Kirby's The Fantastic Four. He is the signature penciler of Marvel's World War II comic Sgt. Fury and his Howling Commandos, drawing it for a 10-year run, and he co-created Magazine Enterprises' 1950s Western-horror character the Ghost Rider, a version of which he would draw for Marvel in the 1960s. His career would span 7 decades until his death in 2014.