POWER MAN AND IRON FIST #46
NM: 9.4
(Stock Image)
SOLD ON: Wednesday, 11/25/2020 10:01 PM
$16
Sold For
1
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PUBLISHER: Marvel
COMMENTS: glossy! white pgs
Countdown to Catastrophe; COMIC BOOK IMPACT rating of 5 (CBI)
Read Description ▼
Countdown to Catastrophe; COMIC BOOK IMPACT rating of 5 (CBI)
DESCRIPTION
glossy! white pgs
Countdown to Catastrophe; COMIC BOOK IMPACT rating of 5 (CBI)
Artists Information
Ernesto "Ernie" Chan born and sometimes credited as Ernie Chua, was a Chinese-American comics artist, known for work published by Marvel Comics and DC Comics, including many Marvel issues of series featuring Conan the Barbarian. Chan also had a long tenure on Batman and Detective Comics. Other than his work on Batman, Chan primarily focused on non-superhero characters, staying mostly in the genres of horror, war, and sword and sorcery.
Lee Elias was a British-American comics artist. He was best known for his work on the Black Cat comic book published by Harvey Comics in the 1940s. Lee Elias left comic books after the 1954 publication of Fredric Wertham's anti-comics book Seduction of the Innocent, which used four of his Black Cat panels as examples of "depraved" comic art. In 1972, Elias came back to American comic books, working mainly on DC's various horror titles and secondary Marvel Comics titles including Power Man and The Human Fly. His last major project was The Rook series for Warren Publishing.
Countdown to Catastrophe; COMIC BOOK IMPACT rating of 5 (CBI)
Artists Information
Ernesto "Ernie" Chan born and sometimes credited as Ernie Chua, was a Chinese-American comics artist, known for work published by Marvel Comics and DC Comics, including many Marvel issues of series featuring Conan the Barbarian. Chan also had a long tenure on Batman and Detective Comics. Other than his work on Batman, Chan primarily focused on non-superhero characters, staying mostly in the genres of horror, war, and sword and sorcery.
Lee Elias was a British-American comics artist. He was best known for his work on the Black Cat comic book published by Harvey Comics in the 1940s. Lee Elias left comic books after the 1954 publication of Fredric Wertham's anti-comics book Seduction of the Innocent, which used four of his Black Cat panels as examples of "depraved" comic art. In 1972, Elias came back to American comic books, working mainly on DC's various horror titles and secondary Marvel Comics titles including Power Man and The Human Fly. His last major project was The Rook series for Warren Publishing.