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Atlas
CGC VF-: 7.5
white pgs
Kirby/Ditko art; dinosaur cvr; Doctor Droom story
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Atlas
CGC VF-: 7.5
white pgs
Kirby/Ditko cvr/art; 1st Monsteroso
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Marvel
CBCS NM+: 9.6
ow/white pgs; Stan Lee Verified Signature; Ext(P) ext ct on cvr, mod amt of pcs added to cvr, pcs added to int, tear seals to cvr & int, cvr reinforced, reglossed
Kirby cvr; Ditko art; origin & 1st app. Spider-Man; 1st Uncle Ben & Aunt May (8/62)
This is the Silver Age equivalent of Action Comics #1: a historic, game-changing key issue that acts as a pivot point from what came before, and what came after. The creation of Stan Lee and Steve Ditko, this radical new concept featured a passive, neurotic, everyman hero; an unusually emotionally charged origin story touching on issues of mortality and family tragedy; a worldview grounded solidly in a real, recognizable universe obviously our own; and open-ended storytelling that demanded and rewarded close attention and regular readership. This milestone has also proven to be the success story of comics investment, growing rapidly and unstoppably in value and becoming one of the few completely bulletproof investments in recent times.


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Marvel
CGC NM-: 9.2
ow/white pgs
Kirby cvr; Ditko art; origin & 1st app. Spider-Man; 1st Uncle Ben & Aunt May (8/62)
This is the Silver Age equivalent of Action Comics #1: a historic, game-changing key issue that acts as a pivot point from what came before, and what came after. The creation of Stan Lee and Steve Ditko, this radical new concept featured a passive, neurotic, everyman hero; an unusually emotionally charged origin story touching on issues of mortality and family tragedy; a worldview grounded solidly in a real, recognizable universe obviously our own; and open-ended storytelling that demanded and rewarded close attention and regular readership. This milestone has also proven to be the success story of comics investment, growing rapidly and unstoppably in value and becoming one of the few completely bulletproof investments in recent times.


If you are a new customer planning to make a first-time purchase over $25,000, please contact us 24 hours in advance of the item closing at 212.895.3999 or support@comicconnect.com so that we may approve your account for bidding. (This policy was instituted to protect consignors and bidders against bids from fraudulent accounts, and to ensure the integrity of the bidding process.) Once approved, please log out of your account and then log in, for the approval to take effect.

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Marvel
CGC G: 2.0
crm/ow pgs
Kirby cvr; Ditko art; origin & 1st app. Spider-Man; 1st Uncle Ben & Aunt May (8/62)
This is the Silver Age equivalent of Action Comics #1: a historic, game-changing key issue that acts as a pivot point from what came before, and what came after. The creation of Stan Lee and Steve Ditko, this radical new concept featured a passive, neurotic, everyman hero; an unusually emotionally charged origin story touching on issues of mortality and family tragedy; a worldview grounded solidly in a real, recognizable universe obviously our own; and open-ended storytelling that demanded and rewarded close attention and regular readership. This milestone has also proven to be the success story of comics investment, growing rapidly and unstoppably in value and becoming one of the few completely bulletproof investments in recent times.


If you are a new customer planning to make a first-time purchase over $25,000, please contact us 24 hours in advance of the item closing at 212.895.3999 or support@comicconnect.com so that we may approve your account for bidding. (This policy was instituted to protect consignors and bidders against bids from fraudulent accounts, and to ensure the integrity of the bidding process.) Once approved, please log out of your account and then log in, for the approval to take effect.

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Marvel
CGC FN: 6.0
Golden record REPRINT; white pgs
Ditko cvr/art; origin retold; 1st Chameleon; 1st J. Jonah Jameson; Fantastic Four cover (3/63)
Where previous heroes had their origin stories based in spectacular events, dramatic twists, and high tragedy, Stan Lee and Steve Ditko firmly planted their flagship character's feet in the hard ground of daily life in the big city. Shy, insecure, lower-class teen, Peter Parker, drawn to scrawny imperfection by Ditko, transforms into a freakish, wise-cracking daredevil, tortured by guilt over the loss of his father figure, all while scrambling to make a quick buck from his sudden brush with semi-greatness. Spider-Man's first appearance in Amazing Fantasy #15 was like nothing anyone had seen before and was an overnight sensation, leading to a hurriedly prepared solo debut issue. Note the use of the Fantastic Four on the cover as insurance, as their group exploits were Marvel's one real box-office draw at the time, and the hungry, ambitious Lee was taking no chances. One of the most important comics of the Silver Age, and the book that proved the Marvel Age was no fluke. Spider-Man's first title issue demarcates a new era of superheroes that is characterized by humanistic protagonists and energetic art that stands apart from the clean-cut crusaders of the Golden Age.
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Marvel
CGC FA: 1.0
off white pgs. Slight (C-1) pieces added to cover/tear seals
Ditko cvr/art; origin retold; 1st Chameleon; 1st J. Jonah Jameson; Fantastic Four cover (3/63)
Where previous heroes had their origin stories based in spectacular events, dramatic twists, and high tragedy, Stan Lee and Steve Ditko firmly planted their flagship character's feet in the hard ground of daily life in the big city. Shy, insecure, lower-class teen, Peter Parker, drawn to scrawny imperfection by Ditko, transforms into a freakish, wise-cracking daredevil, tortured by guilt over the loss of his father figure, all while scrambling to make a quick buck from his sudden brush with semi-greatness. Spider-Man's first appearance in Amazing Fantasy #15 was like nothing anyone had seen before and was an overnight sensation, leading to a hurriedly prepared solo debut issue. Note the use of the Fantastic Four on the cover as insurance, as their group exploits were Marvel's one real box-office draw at the time, and the hungry, ambitious Lee was taking no chances. One of the most important comics of the Silver Age, and the book that proved the Marvel Age was no fluke. Spider-Man's first title issue demarcates a new era of superheroes that is characterized by humanistic protagonists and energetic art that stands apart from the clean-cut crusaders of the Golden Age.
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Marvel
CGC VF+: 8.5
ow/white pgs
Ditko cvr/art; 1st app. Doctor Octopus (7/63)
Every great hero needs a great villain, and while the Vulture, who appeared in the second issue of this title, is great fun and a fine bad guy, he isn't quite the showstopper that Spidey needed to solidify his place in hero history. Enter Doctor Octopus, one of the wildest, most inspired, and most enduring of all the rogues' gallery that the fevered Lee-Ditko hive mind ever cooked up. In keeping with the Marvel theme of misunderstood loners and accidental heroes and villains, tortured genius Otto Octavius finds himself turned into a monster when his experiments in radiation lead to a bizarre apparatus being fused to his body, making him a multi-armed and demented foil for our increasingly beleaguered web-head. Illustrated with Ditko's typically feverish, imaginative panache, and liberally applied with plenty of high-melodrama Lee dialogue, the first appearance of Doc Ock proved a knockout, and gave Spider-Man his first truly iconic foe.
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Marvel
CGC PR: 0.5
off white pgs; page 12 missing, does not affect story, incomplete; cvr re-attached with tape
Ditko cvr/art; 1st app. Doctor Octopus (7/63)
Every great hero needs a great villain, and while the Vulture, who appeared in the second issue of this title, is great fun and a fine bad guy, he isn't quite the showstopper that Spidey needed to solidify his place in hero history. Enter Doctor Octopus, one of the wildest, most inspired, and most enduring of all the rogues' gallery that the fevered Lee-Ditko hive mind ever cooked up. In keeping with the Marvel theme of misunderstood loners and accidental heroes and villains, tortured genius Otto Octavius finds himself turned into a monster when his experiments in radiation lead to a bizarre apparatus being fused to his body, making him a multi-armed and demented foil for our increasingly beleaguered web-head. Illustrated with Ditko's typically feverish, imaginative panache, and liberally applied with plenty of high-melodrama Lee dialogue, the first appearance of Doc Ock proved a knockout, and gave Spider-Man his first truly iconic foe.
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Marvel
CGC VF+: 8.5
ow/white pgs
Ditko cvr/art; origin & 1st app. Sandman; 1st app. Betty Brant
Enter Sandman! Following in the footsteps of the first appearance of Doc Ock in issue 3, Amazing Spider-Man 4 added Sandman to the rapidly growing pantheon of the Web-head's enemies. The comic also features the first incident of puny Parker's unmasking during a pitched battle, which causes him to flee from the granular baddie. Sandman is eventually thwarted through the use of an industrial vacuum cleaner. A true classic we are pleased to present to our customers, this is a beautiful and newsstand-bright copy of a beloved, Ditko era, early Spidey comic.
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Marvel
CGC VF-: 7.5
ow/white pgs
Ditko cvr/art; Kirby art; robot story
In the debut issue of Spiderman, Lee and company hedged their bets by placing the Fantastic Four front and center to attract new readers to an unproven title. What a difference a year makes, when the new megastar on the block relegates the veteran Torch to guest-star status. The comic boasts a classic cover that appealed directly to the new youth market, which was already influencing pop culture with their hard-earned allowance money.

1st app. of the Living Brain
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Marvel
CGC G+: 2.5
off white pgs
1st app. Green Goblin; 1st meeting Hulk and Spider-Man
Wherein Spidey gets his Joker, his Luthor, his Red Skull. Every hero needs an arch-villain, someone to completely define the hero's theme, struggle, and style -- and, boy howdy, is the Green Goblin one of the all-time greats. The identity and backstory of this compelling nemesis tie neatly into the Spider-Man story's themes of loss, tragedy, the tricky drama of dealing with friends and family, and the simple day-to-day difficulties of life. One of the most important and beloved of all Marvel keys.
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Marvel
CGC FA: 1.0
off white pgs; 6 extra staples added after manufacturing
1st app. Green Goblin; 1st meeting Hulk and Spider-Man
Wherein Spidey gets his Joker, his Luthor, his Red Skull. Every hero needs an arch-villain, someone to completely define the hero's theme, struggle, and style -- and, boy howdy, is the Green Goblin one of the all-time greats. The identity and backstory of this compelling nemesis tie neatly into the Spider-Man story's themes of loss, tragedy, the tricky drama of dealing with friends and family, and the simple day-to-day difficulties of life. One of the most important and beloved of all Marvel keys.
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Marvel
CGC FN+: 6.5
ow/white pgs
Ditko cvr/art; 1st app. Princess Python
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Marvel
CGC FN-: 5.5
crm/ow pgs
Ditko cvr/art; 3rd app. Green Goblin
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Marvel
CGC VG: 4.0
ow/white pgs
Ditko cvr/art; 3rd app. Green Goblin
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Marvel
CGC FN+: 6.5
ow/white pgs
Ditko cvr/art; 1st app. Mary Jane
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Marvel
CGC FN+: 6.5
off white pgs
Ditko cvr/art; 4th app. Green Goblin; 1st app. Crime Master (7/65)
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Marvel
CGC FN: 6.0
off white pgs
Ditko cvr/art; 5th Green Goblin
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Marvel
CGC FN-: 5.5
ow/white pgs
Ditko cvr/art; origin & 1st app. Molten Man; Puny Parker graduates from high school
Much has been written about how Stan Lee made Spider-Man relatable to teenagers by having the character undergo the usual growing pains of a young man in the awkward phases of life. In this issue Spidey passes through one of the rituals of adolescence when he graduates from high school. It was through these traditionally American tropes that the character grew in the hearts and minds of his fans, who, in turn, grew up alongside their crime-fighting hero.
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Marvel
CGC VF-: 7.5
lt.tan/ow pgs
Ditko cvr/art; 2nd app. Scorpion
The dubious title of Amazing Spider-Man #29 is "Never Step on a Scorpion! or You Think It's Easy to Dream Up Titles Like This?," which was an obvious nod to Stanley Kubrick's similarly named "Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb." This sort of savvy in-joke shows how ensconced Spidey was in the pop-cultural consciousness of the mid-60s, as fans of high art were also wallowing in the gutter of comic books to get their cheap thrills during the turbulent decade.
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Marvel
CGC VF-: 7.5
ow/white pgs
Ditko cvr/art
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Marvel
CGC FN+: 6.5
ow/white pgs
Ditko cvr/art; 1st app. the Sinister Six (1964)
The Super Villain team up to end all super villain team ups! Doc Ock, Sandman, Kraven, Mysterio, Elektro and The Vulture create an unholy alliance to do in their archrival the Amazing Spider-Man! A riveting Marvel yarn told by the one and only Stan "The Man" Lee and illustrated by the artistic force behind every early Spidey story told, Steve Ditko. The very best of the Marvel annuals if we do say so ourselves.

Notoriously difficult to find in high grade because of the square binding, this a very desirable comic book and certainly a prize to be added to any Spidey fanatic's collection!
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Marvel
CGC VF+: 8.5
white pgs
Ditko cover/art; Dr. Strange app.
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Charlton
CGC NM-: 9.2
ow/white pgs
Steve Ditko cvr/art; 1st app. of the Question
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1,781 Items Found
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